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THE STORY: A group of club-women try to entertain a high-hat woman novelist. Everything goes wrong, and the poor women are in despair trying to make conversation. One member, to show up the bluffs of the novelist and her own fellow-members, starts everyone talking about Xingu. No one knows what this is, but no one will admit it. During the squabble the novelist slips away with the woman who mentioned it-or him-and the others are forced to ask the maid, who knows of course that Xingu is a river!
Xingu is a humourous short story by Edith Wharton, about a group of six women who meet together at a lunch club hosted by Mrs Ballinger. At this meeting, they have invited an author of one of the books they have supposed to have read, but find they can't really discuss it, as they meet more to socialise than to discuss books. Wharton captures perfectly the need of the characters to outdo each other, with the point seemingly to be as pretentious as possible.
"Like many other South American Indian communities, the Suya Indians of Mato Grosso, Brazil, devote a great deal of time and energy to making music, especially singing. In paperback for the first time, Anthony Seeger's Why Suya Sing considers the reasons for the importance of music for the Suya - and by extension for other groups - through an examination of myth telling, speech making, and singing in an initiation ceremony." "This new paperback edition features a CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the Suya in their recent conflicts with cattle ranchers and soybean farmers." -- Prové de l'editor.
The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. Thi...
"As they narrate their lives in these rituals, leaders also give other participants ways to address some of the pressing issues in their own lives. Special emphasis is given to the emotional effects of narrative performances and how these accounts move people to identify with others, compel them to act in appropriate ways, or assuage their grief over a lost loved one. Oakdale analyzes autobiographical performances using insights from studies on ritual, life history, and linguistic anthropology to better understand Kayabi notions of self and person and the role these narrative expressions play in their social life."--BOOK JACKET.
Ina Peters analyzes how collective identities and collective action frames have contributed to the persistence and eventual fragmentation of the collective action against the Belo Monte Dam. Reconstructing the rationale of the conflict, Ina Peters addresses theoretical research gaps regarding the dynamics – particularly cohesion and fragmentation – in social movements. The study considers the influence of the regional context and the applicability of Western theories in non-Western case studies. It is based on primary data that was collected through semistructured interviews and analyzed in detail by means of a combined top-down and bottom-up procedure based on the grounded theory methodology.
Praise for the previous edition:Booklist/RBB "Twenty Best Bets for Student Researchers"RUSA/ALA "Outstanding Reference Source"" ... useful ... Recommended for public libraries and undergraduates."
This guide and introduction to the extraordinary range of languages in Amazonia includes some of the most fascinating in the world and many of which are now teetering on the edge of extinction.
In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology's most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?