You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An exciting and richly detailed new history of the Silk Road that tells how it became more important as a route for diplomacy than for trade The King’s Road offers a new interpretation of the history of the Silk Road, emphasizing its importance as a diplomatic route, rather than a commercial one. Tracing the arduous journeys of diplomatic envoys, Xin Wen presents a rich social history of long-distance travel that played out in deserts, post stations, palaces, and polo fields. The book tells the story of the everyday lives of diplomatic travelers on the Silk Road—what they ate and drank, the gifts they carried, and the animals that accompanied them—and how they navigated a complex web o...
What do the Chinese mean when they say that their political systems is "democratic"? With recent improvements in relations between China and the West, this question is basic to an understanding of the Chinese people in their state. In Chinese Democracy, Andrew Nathan investigates in depth the nature and meaning of "democracy" in China today, beginning with a vivid history of the short-lived Democracy Movement of 1978-1981, when groups of young people in a number of Chinese cities started issuing outspoken publications and putting up posters detailing their complaints and opinions. Nathan constructs--for the first time--a poignant picture of this burst of liberal activity, and at the same time he shows how distinctly Chinese it was and how the roots of its failure lay as much in history as in current political necessity. readers of this book will gain a new perspective on the nature of democracy as the Chinese practice it.
Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China's modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and "newspainters." With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium—a newspaper—into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China's modernization.
"There was nothing Su Kexin wanted more than to marry an ordinary man. So, who could explain her sudden ascension as a CEO's wife? He promised her a lifetime of happiness, flooded her with endless affection, and treated her like priceless treasure. She thought that perhaps, this was her happily-ever-after. Yet, he threw a stack of papers in front of her one day and said, "Su Kexin, lets divorce." She finally understood how it felt like to fall from high above and crashing onto ground zero. Five years later, she returned and encountered him again. This time, however, there was a moe little bun of a child at her side. The little bun blinked at the man and said, "Mommy, this mister looks a lot like me."
Union catalogue of the newspapers and periodicals of China held in European libraries.
Wang Gungwu is one of the most influential historians of his generation. Initially renowned for his pioneering work on the structure of power in early imperial China, he is more widely known for expanding the horizons of Chinese history to include the histories of the Chinese and their descendents outside China. It is probably no coincidence, Philip Kuhn observes, that the most comprehensive historian of the Overseas Chinese is the historian most firmly grounded in the history of China itself. This book is a celebration of the life, work, and impact of Professor Wang Gungwu over the past four decades. It commemorates his contribution to the study of Chinese history and the abiding influence ...
This edited volume provides a critical review of political communication research conducted in Asia over the past twenty years. Each chapter focuses on studies published in a specific Asian country, selected according to the level of contribution made to the field of political communication in Asia. Covering China, Hong Kong, Taiwan, South Korea, Japan, Singapore, Malaysia, Indonesia, and India, the book’s primary objective is to review the unique theoretical accomplishments made by Asian communication scholars, thus contributing to a better awareness and understanding of political communication research in Asia. The contributors are well-respected Asian media scholars writing on political...
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from diff...
This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries—ranging from the canonical to the popular to the esoteric—the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity.