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Zhuangzi's Critique of the Confucians
Looks at the Daoist Zhuangzis critique of Confucianism. The Daoist Zhuangzi has often been read as a mystical philosopher. But there is another tradition, beginning with the Han dynasty historian Sima Qian, which sees him as a critic of the Confucians. Kim-chong Chong analyzes the Inner Chapters of the Zhuangzi, demonstrating how Zhuangzi criticized the pre-Qin Confucians through metaphorical inversion and parody. This is indicated by the subtitle, Blinded by the Human, which is an inversion of the Confucian philosopher Xunzis remark that Zhuangzi was blinded by heaven and did not know the human. Chong compares Zhuangzis Daoist thought to Confucianism, as exemplified by Confucius, Mencius, and Xunzi. By analyzing and comparing the different implications of concepts such as heaven, heart-mind, and transformation, Chong shows how Zhuangzi can be said to provide the resources for a more pluralistic and liberal philosophy than the Confucians.
Senses of the City
From its first designation as temporary capital in 1138, the city of Hangzhou (then called Lin’an) was deemed representative of the diminished empire of the Song (960–1279), in all its contradictory aspects. The exquisite beauty of the city confirmed its destiny to become an imperial residence, but it also portended its fatal corruption. The wealth and ease of Hangzhou epitomized the vigor of the southern empire as well as its oblivious decadence. The city was paramount and feeble, aweinspiring and threatened, the most admired city in the civilized world and a disgrace to the dynastic founders. Rather than perpetuating the debate about the merit of these polemical judgments, the contribu...
Beyond the Troubled Water of Shifei
Offers the first focused study of the shifei debates of the Warring States period in ancient China and challenges the imposition of Western conceptual categories onto these debates. In recent decades, a growing concern in studies in Chinese intellectual history is that Chinese classics have been forced into systems of classification prevalent in Western philosophy and thus imperceptibly transformed into examples that echo Western philosophy. Lin Ma and Jaap van Brakel offer a methodology to counter this approach, and illustrate their method by carrying out a transcultural inquiry into the complexities involved in understanding shi and fei and their cognate phrases in the Warring States texts...
A Concise Reader of Chinese Culture
This book uses the mutual interactions between Chinese and Western culture as a point of departure in order to concisely introduce the origins and evolution of Chinese culture at the aspects of constitution, thinking, values and atheistic. This book also analyzes utensil culture, constitution culture and ideology culture, which were perfected by absorbing classic arguments from academia. As such, the book offers an essential guide to understanding the development, civilization and key ideologies in Chinese history, and will thus help to promote Chinese culture and increase cultural awareness.
Staging Shakespeare
Features twelve essays that explore the relationships between Shakespearean pedagogy, performance, and scholarship. This volume consists of four sections, entitled Acts of Recovery; Performing the Moment; Recordings; and Extensions and Explorations.
The Wild and Arrogant
Through its close reading of Xin Qiji's (1140-1207) song lyrics, this study reveals the aesthetic implications of the eccentricity of an unruly self within the Ruist tradition. Although focusing on one poet, Xinda Lian uses the entire poetic tradition as the context of his study. His analysis of the concept of «vital force» and of the friction between different literary trends sheds new light on the lingering tension in the Chinese poetic tradition. On the one hand, there exists a requirement of moral exemplariness and decorum, and on the other, lyric should be a site of personal emotion.
Gendered Persona and Poetic Voice
Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language, resulting in a consideration of persona and poetic voice of interest to scholars of lyric poetry in any language.
Regents' Proceedings
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Songs of Contentment and Transgression
A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century—Wang Jiusi, Kang Hai, and Li Kaixian—who turned to literary endeavors when forced to retire. Instead of the formal writing expected of scholar-officials, however, they chose to engage in the stigmatized genre ofqu (songs), a collective term for drama and sanqu. As their efforts reveal, a disappointing end to an official career and a physical move away from the center led to their embrace of qu and the pursuit of a marginalized literary genre. This book also attempts to sketch the largely unknown literary landscape of mid-Ming north China. After their retirements, these three writers became cultural leaders in their native regions. Wang, Kang, and Li are studied here not as solitary writers but as central figures in the “qu communities” that formed around them. Using such communities as the basic unit in the study of qu allows us to see how sanqu and drama were produced, transmitted, and “used” among these writers, things less evident when we focus on the individual.
