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Ideology of Power and Power of Ideology in Early China explores ancient Chinese political thought during the centuries surrounding the formation of the empire in 221 BCE. The individual chapters examine the ideology and practices of legitimation, views of rulership, conceptualizations of ruler-minister relations, economic thought, and the bureaucratic administration of commoners. The contributors analyze the formation of power relations from various angles, ranging from artistic expression to religious ideas, political rhetoric, and administrative action. They demonstrate the interrelatedness of historiography and political ideology and show how the same text served both to strengthen the ruler’s authority and moderate his excesses. Together, the chapters highlight the immense complexity of ancient Chinese political thought, and the deep tensions running within it. Contributors include Scott Cook, Joachim Gentz, Paul R. Goldin, Romain Graziani, Martin Kern, Liu Zehua, Luo Xinhui, Yuri Pines, Roel Sterckx, and Charles Sanft.
This book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions: What is art? Why do we produce it? How do we judge it? The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures. Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes
"Historical accounts of democracy's rise tend to focus on ancient Greece and pre-Renaissance Europe. The Decline and Rise of Democracy draws from global evidence to show that the story is much richer--democratic practices were present in many places, at many other times, from the Americas before European conquest, to ancient Mesopotamia, to precolonial Africa. Delving into the prevalence of early democracy throughout the world, David Stasavage makes the case that understanding how and where these democracies flourished--and when and why they declined--can provide crucial information not just about the history of governance, but also about the ways modern democracies work and where they could manifest in the future."--
Interaction with religions was one of the most demanding tasks for imperial leaders. Religions could be the glue that held an empire together, bolstering the legitimacy of individual rulers and of the imperial enterprise as a whole. Yet, they could also challenge this legitimacy and jeopardize an empire's cohesiveness. As empires by definition ruled heterogeneous populations, they had to interact with a variety of religious cults, creeds, and establishments. These interactions moved from accommodation and toleration, to cooptation, control, or suppression; from aligning with a single religion to celebrating religious diversity or even inventing a new transcendent civic religion; and from lav...
Pulling back the covers on the fascinating, yet often forgotten, history of the bed "If you thought that your bed was only good for sleeping in, having sex in, or dying in, then this book will disabuse you--in fact, it's so entertaining, it will keep you awake long into the night."--Paul Chrystal, author of In Bed with the Ancient Greeks and In Bed with the Romans Louis XIV ruled France from his bedchamber. Winston Churchill governed Britain from his during World War II. Travelers routinely used to bed down with complete strangers, and whole families shared beds in many preindustrial households. Beds were expensive items--and often for show. Tutankhamun was buried on a golden bed, wealthy Gr...
Goldin thus begins the book by asking the basic question "What are we reading?" while also considering why it has been so rarely asked. Yet far from denigrating Chinese philosophy, he argues that liberating these texts from the mythic idea that they are the product of a single great mind only improves our understanding and appreciation. By no means does a text require single and undisputed authorship to be meaningful; nor is historicism the only legitimate interpretive stance. The first chapter takes up a hallmark of Chinese philosophy that demands a Western reader's cognizance: its preference for non-deductive argumentation. Chinese philosophy is an art (hence the title) he demonstrates, more than it is a rigorous logical method. Then comes the core of the book, eight chapters devoted to the eight philosophical texts divided into three parts: Philosophy of Heaven, Philosophy of the Way, and Two Titans at the End of an Age. .
" In 1817 a Cantonese scholar was mocked in Beijing as surprisingly learned for someone from the boondocks; in 1855 another Cantonese scholar boasted of the flourishing of literati culture in his home region. Not without reason, the second man pointed to the Xuehaitang (Sea of Learning Hall) as the main factor in the upsurge of learning in the Guangzhou area. Founded in the 1820s by the eminent scholar-official Ruan Yuan, the Xuehaitang was indeed one of the premier academies of the nineteenth century. The celebratory discourse that portrayed the Xuehaitang as having radically altered literati culture in Guangzhou also legitimated the academy’s place in Guangzhou and Guangzhou’s place as...
Through detailed discussions of several Buddhist and Chinese moral concepts and beliefs and accompanied by some edifying short stories, this book investigates three types of ethical treatment of animals in early Chinese Buddhism: the imperial bans on animal sacrifice; the early development of the two unique and living traditions of vegetarianism; and the freeing of animals. The book presents a demonstration of the early Chinese acceptance of Indian Buddhism, providing the reader with a better understanding of the early history of Chinese Buddhism in general, and of the integration of Chinese and Indian Buddhist cultures in particular.