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Fiction. Asian Studies. This sometimes disturbing, always illuminating collection of stories centers around China's Cultural Revolution and its aftermath, which, as we learn, continues even today, with both sides still hold out, and with "apologies forthcoming." Xujun Eberlein lived in China during that tumultuous period and now makes her home in America. "Xujun Eberlein is a fresh voice in American fiction, a Chinese writer with a remarkably shrewd, interesting tongue....There is a richness in her vision that sets it apart" -- Jay Parini. "The stories have a subtly addictive momentum" -- Sven Birkerts.
Poignant, humorous and confusing stories of utterly ordinary people living through China's extraordinary transformations. The collection of essays creates a multifaceted portrait of a country in motion, and is an introduction to some of the best writing on China today.
For years, China has served as the "factory floor" for global production, driving down prices for consumers worldwide. But, unfortunately, China's rapid and chaotic industrialization has put it on a collision course with the rest of the world. The Coming China Wars was the first book to systematically cover all those conflicts: political, economic, and environmental. Now, in this new edition, Dr. Peter Navarro has thoroughly updated the entire book. You'll find new chapters on the danger posed by China's flood of defective products and contaminated food; China's dramatic military expansion and the rising threat of a "hot war"; China's space program and its profound strategic implications; Ch...
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, a...
In December 2008 some 350 Chinese intellectuals published a manifesto calling for reform of the Chinese constitution and an end to one-party rule. Known as "Charter 08," the manifesto has since been signed by more than 10,000 people. One of its authors, Liu Xiaobo, was awarded the Nobel Peace Prize in 2010 but has remained in prison since 2009 for subversive crimes. This collection of essays—the first of its kind in English—examines the trial of Liu Xiaobo, the significance and impact of Charter 08, and the prospects for reform in China. The essays include contributions from legal and political experts from around the world, an account of Liu's trial by his defence lawyers, and a passionate—and ultimately optimistic—account of resistance, repression and political change by the human rights lawyer Teng Biao.
In the early twenty-first century, the Chinese literary world saw an emergence of fictional works – dubbed as "oppositional political novels" – that took political articulation as their major purpose and questioned the fundamental principles and intrinsic logic of the Chinese model. Based on close readings of five representative oppositional Chinese political novels, Questioning the Chinese Model examines the sociopolitical connotations and epistemological values of these novels in the broad context of modern Chinese intellectual history and contemporary Chinese politics and society. Zhansui Yu provides a sketch of the social, political, and intellectual landscape of present-day China. H...
This rich collection of essays offers a multi- and inter-disciplinary discussion of "trans-Asia" approaches from critical theory, historical studies, cultural studies to film studies. In doing so the authors lay down the groundwork for a more inclusive knowledge-production and fruitful transnational collaboration. The authors engage with the implications of “trans-Asia” using a range of empirical cases. At the heart of the book is a desire and attempt to give a grounded understanding of what “trans-Asia” approaches are by examining human mobilities, media culture flows and connections across Asia and beyond in four key aspects: cross-border flows and connections; inter-Asian comparison and referencing; transnational and de-nationalized approaches; and cross-border collaboration.
This is the third book containing editors' picks from the Annual Tartt First Fiction Award. With twenty-three authors, this anthology has the largest number of contributors yet. The editors have tried for a balance of tone moving from humor to tragedy, with styles running from gritty realism to the fantastical.
This book offers a comprehensive guide to global literary engagement with the Cold War. Eschewing the common focus on national cultures, the collection defines Cold War literature as an international current focused on the military and ideological conflicts of the age and characterised by styles and approaches that transcended national borders. Drawing on specialists from across the world, the volume analyses the period’s fiction, poetry, drama and autobiographical writings in three sections: dominant concerns (socialism, decolonisation, nuclearism, propaganda, censorship, espionage), common genres (postmodernism, socialism realism, dystopianism, migrant poetry, science fiction, testimonial writing) and regional cultures (Asia, Africa, Oceania, Europe and the Americas). In doing so, the volume forms a landmark contribution to Cold War literary studies which will appeal to all those working on literature of the 1945-1989 period, including specialists in comparative literature, postcolonial literature, contemporary literature and regional literature.
Mary Manjikian's Apocalypse and Post-Politics: The Romance of the End advances the thesis that only those who feel the most safe and whose lives are least precarious can engage in the sort of storytelling which envisions erasing civilization. Apocalypse-themed novels of contemporary America and historic Britain, then, are affirmed as a creative luxury of development. Manjikian examines a number of such novels using the lens of an international relations theorist, identifying faults in the logic of the American exceptionalists who would argue that America is uniquely endowed with resources and a place in the world, both of which make continued growth and expansion simultaneously desirable and...