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The book is an attempt to explore the basics of Architectural Journalism. This take on Architectural Journalism is a manifestation of the Author's thoughts; it basically revolves around the ideas of arousing public interest and receptiontowards the novelties of building design while subtly nodding towards the emerging realm of Architectural Journalism with an emphasis on conveying the right ideas to the right people in an order to equip them with a practical and innovative perspective. The need of the hour is to express thoughts and ideas about the distinctive style of Architecture in India through Architectural Journalism so that our individuality reaches the masses across the globe.The world of Architectural Journalism is unprecedented to many in India. Thus, the Author has embarked upon this journey to raise awareness and disseminate relevant information in an attempt to acquaint the readers with this subject. The book is also inclusive of a collection of the best publications of the author.
This comprehensive monograph chronicles the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya from 1975 to the present. It explores Somaya's diverse typology of projects in challenging conditions that represent a unique non-stylistic grammar. The essays in this volume offer multiple perspectives on Brinda Somaya's accomplishments, while the dialogues outline the concerns central to her work. AUTHOR: Ruturaj Parikh is a partner at Matter, an architecture and content firm based in Goa. The former Director of The Charles Correa Foundation, he works on architectural and curatorial projects. Nandini Somaya Sampat joined SNK Consultants in 2007, and is involved in all aspects of the design, coordination and execution of projects. 480 photographs, 160 drawings
Building Histories offers innovative accounts of five medieval monuments in Delhi—the Red Fort, Rasul Numa Dargah, Jama Masjid, Purana Qila, and the Qutb complex—tracing their modern lives from the nineteenth century into the twentieth. Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective “archival” truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument—far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.
Leaders, who only live in the present and respond to its special pressures and demands, would fail to achieve quality of leadership and the change required in the future. In today's digital age of the millennial, transparency and social awareness have to be the cornerstones of any organization. Leaders and their HR need to align their current values accordingly. Some fundamentals like truth, humility, courage, energy, edge, equity, social justice will have to be brought back into the organization leadership DNA. All of us are aware about the spurt in leadership development activities in India over the recent years. There have been frantic efforts in Indian as well as foreign companies to dev...
"Thanjavur paintings are among the most popular artworks that adorn the walls of Indian homes--avidly collected but little comprehended. This richly illustrated volume presents an enhanced understanding of the subject through an in-depth study of South Indian paintings of the 18th and 19th centuries in the Thanjavur and the allied Mysuru styles. The meticulously researched text showcases and engages with Kuldip Singh's unique collection of 300 paintings. Also included are painted prints, some reverse-glass works and a few lithographs. These cover a wide range of idioms and themes: from the domain of gods and goddesses and the sites and stories associated with their worship, we come down to t...