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This volume is devoted to the texts, traditions, and practices of the Land of Israel during the Talmudic period. Using a variety of critical methodologies, this collection offers a picture of rabbinic literature and Israelite cultures that are multi-layered and complex.
Shoshannat Yaakov includes studies by leading scholars on Ancient Jewish and Iranian Studies and essays that combine both fields in the new discipline of Irano-Talmudica.
This work includes studies by leading scholars on Ancient Jewish and Iranian studies and essays that combine both fields in the new discipline of Irano-Talmudica.
This volume introduces students of rabbinic literature to the range of historical and interpretative questions surrounding the rabbinic texts of late antiquity. The editors, themselves well-known interpreters of Rabbinic literature, have gathered an international collection of scholars to support students' initial steps in confronting the enormous and complex rabbinic corpus. Unlike other introductions to Rabbinic writings, the present volume includes approaches shaped by anthropology, gender studies, oral-traditional studies, classics, and folklore studies.
This book examines the impact of changing modes of cultural transmission on Jewish and Western cultures over the past two thousand years. The contributors to the volume survey some of the ways -- conscious and subconscious -- in which cultural elements arc selected, shaped, and transmitted, and some of the ways they in turn shape the future of their cultures. Focusing on a range of Jewish cultures from late antiquity, the Middle Ages, and the modern period, the authors consider both the transformation of traditions in their travels from one contemporaneous cultural context to another and their transformation within a single culture overtime. Some of the studies in the book deal with the transition from mixed oral-written cultures to ones in which written-print is nearly exclusive. Other chapters deal with the processes of transmission such as anthologizing, translating, teaching, and sermonizing. By contextualizing Jewish culture within Western culture and including a comparative perspective, the book makes an important contribution to Judaic studies as well as to other areas of the humanities concerned with questions of textuality and culture.
What kind of literature is the Talmud? To answer this question, Daniel Boyarin looks to an unlikely source: the dialogues of Plato. In these ancient texts he finds similarities, both in their combination of various genres and topics and in their dialogic structure. But Boyarin goes beyond these structural similarities, arguing also for a cultural relationship.In Socrates and the Fat Rabbis, Boyarin suggests that both the Platonic and the talmudic dialogues are not dialogic at all. Using Michael Bakhtin’s notion of represented dialogue and real dialogism, Boyarin demonstrates, through multiple close readings, that the give-and-take in these texts is actually much closer to a monologue in sp...
Stories from the major works of classical Rabbinic literature produced between 200 and 600 C.E.
In Demonic Desires, Ishay Rosen-Zvi examines the concept of yetzer hara, or evil inclination, and its evolution in biblical and rabbinic literature. Contrary to existing scholarship, which reads the term under the rubric of destructive sexual desire, Rosen-Zvi contends that in late antiquity the yetzer represents a general tendency toward evil. Rather than the lower bodily part of a human, the rabbinic yetzer is a wicked, sophisticated inciter, attempting to snare humans to sin. The rabbinic yetzer should therefore not be read in the tradition of the Hellenistic quest for control over the lower parts of the psyche, writes Rosen-Zvi, but rather in the tradition of ancient Jewish and Christian...
In April 2008 a conference was convened at Rice University that brought together experts in the three monotheistic religions of Judaism, Christianity, and Islam. The papers discussed at the conference are presented here, revised and updated. The thirteen contributions comprise the keynote address by John Miles Foley; three essays on Judaism and the Hebrew Bible; three on the New Testament; three on the Qur'an; and two summarizing pieces, by the Africanist Ruth Finnegan and the Islamicist William Graham respectively. The central thesis of the book states that sacred Scripture was experienced by the three faiths less as a text contained between two covers and a literary genre, and far more as an oral phenomenon. In developing the performative, recitative aspects of the three religions, the authors directly or by implication challenge their distinctly textual identities. Instead of viewing the three faiths as quintessential religions of the book, these writers argue that the religions have been and continue to be appropriated not only as written but also very much as oral authorities, with the two media interpenetrating and mutually influencing each other in myriad ways.
"...examines the impact of the Persian Zoroastrian Empire on rabbinic identity and authority as expressed in the Babylonian Talmud."--