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The long-awaited, first Western-language reference guide, this work offers a wealth of information on writers, genres, literary schools and terms of the Chinese literary tradition from earliest times to the seventh century C.E.
This book examines Chinese traditional poetry with an emphasis on the sources of pleasure in creating and appreciating classical Chinese poems and the basis for valid aesthetic judgments about poetry. The pleasure derived from art plays a crucial role in people’s evaluation of its worth. This book shows that Chinese classical poetics and Western aesthetics agree on the sources of aesthetic pleasure. Both hold, despite their obvious differences, that aesthetic taste essentially involves cognition. The book explores important ideas in traditional Chinese poetry, emphasizing that “Poetry is founded upon the power of judgement (shi).” This central idea guides other key concepts throughout the history of Chinese poetics, revealing the fundamental principles of creating and appreciating poetic art. The author presents new views of traditional Chinese poetry and poetics by unifying these long-dispersed basic propositions into a new coherent cognitivist framework that also gives due importance to emotion. Scholars and students studying Chinese literature, poetics, philosophy of art, and philosophy of mind will find this book interesting.
The First Print Era examines the rise of print culture during China’s Northern Song Dynasty (960–1127). Bringing together often-overlooked primary sources from the period and scholarship on many individual topics in Song print history, the book offers the first extended narrative in English of how print became entrenched as a sustained mode of textual dissemination in China. While discussing technical innovations and the growth of the print industry, the book focuses on how the rise of print affected several indispensable elements of Song intellectual culture: the expansion of the exam system, the canonization of Tang and earlier models, the rise of antiquarianism and connoisseurship, th...
The family's scum, the city's shame, the typical waste material. Whether it is the pride of outstanding achievements, or muddling through the fop, all look down on him, he is the complete and utter waste. A strange encounter, created the emperor of the cold, play around the city. The world gave me the cold, let me use the ice cold to send back ....
This Chinese-English dictionary of proverbs (yanyu) consists of approximately 4,000 Chinese proverbs alphabetically arranged by the first word(s) (ci) of the proverb according to the Hanyu Pinyin transcription and Chinese characters (standard simplified), followed by a literal (and when necessary also a figurative) English translation. Additional data such as brief usage notes, sources, parallel expressions, cross-references, and famous instances of use are provided where available. The proverbs are supplemented by an index of key words (both Chinese and English) found in all entries and of all topics addressed. The author has provided a scholarly introduction analyzing the definition, struc...
Preliminary Material -- The Discovery of Folk Literature -- Pioneers -- Folksongs -- Legends -- Children's Literature -- Proverbs -- Intellectuals and the Folk -- Abbreviations Used in the Notes and Bibliography -- Notes -- Bibliography -- Glossary -- Index -- Harvard East Asian Monographs.
This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.
The Three Kingdoms is a tumultuous period in Chinese history when warlords battled one another to rule all under the heavens. Many Chinese fables and legends were made during this time, revealing the complex, multi-dimensional characteristics of the Chinese race. There are as many modern versions of the Three Kingdoms as there are ancient texts. However, those which are easy to read or watch on screen are often lacking in depth and detail. Others are meaningful but fiendishly difficult to read. Much more than just a translation, this book is written in modern English, balancing depth with easy reading. For those new to the Three Kingdoms, it offers an introduction with just the right dose of detail. For those already familiar with the Three Kingdoms, it may offer a deeper understanding or sense of realism on this epic saga.
Containing over 33,000 terms, the Chinese-English Dictionary of Chinese Medicine is the largest, fully searchable list of Chinese medical terms ever published. It is the only sufficiently comprehensive list of Chinese medical terms to be an ultimate go-to for any translator, student, or clinician. It contains a vast array of general terms, including the 5,000 or more of Practical Dictionary of Chinese Medicine (Paradigm Publications, 1997). It also contains the 1,500 standard and alternate acupoint names from Grasping the Wind (Paradigm Publications, 1989) and over 10,000 standard and alternate names of medicinals described in the Comprehensive Chinese Materia Medica (Paradigm Publications, ...
The Sikuquanshu, or the Complete Library of the Four Branches of Literature, is the largest series of books coming down to us from ancient China. It has had a profound influence on the development of China’s academic culture. The study of this collection has formed a keystone of learning since the beginning of the twentieth century. This book discusses some important and fundamental questions, such as: When was the Hall set up, and when did it close? What were its agencies, and where were they located? How many people worked there? Zhang Sheng’s research emphasizes the detail of such questions, and his remarkable book adds to scholarship about the Sikuquanshu.