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History of Ming Dynasty (Part I)
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
Understanding People: A Practical Guide to Social Psychology
"You earnestly try to make friends but are ignored; You aim to achieve great things but are underestimated; You go to great lengths to connect with others, yet they remain indifferent to you. Others fail to see your value, leaving you feeling unappreciated; Your strengths are not recognized, rendering you ineffective; You feel like an unnoticed shadow, lacking presence in the crowd. If you can't address these issues, you become the problem! Being frequently ignored and feeling invisible in this era of social capital is incredibly daunting. Interpersonal relationships, simply put, involve how you treat others and how they respond to you; handling complex situations: what to say in various scenarios, and what strategies to use in different circumstances. 'A Practical Guide to Social Psychology' explains the strategies and techniques of social interactions."
HISTORY OF THREE KINGDOMS
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
Constant Words Awakening the World
“Constant Words Awakening the World (醒世恒言 Xing Shi Heng Yan) is the third of a trilogy of widely celebrated Ming dynasty (1368–1644) vernacular story collections, compiled and edited by Feng Menglong. The first compilation, called Gujin Xiaoshuo (古今小説) (Stories Old and New), which is sometimes also referred to as Yushi Mingyan (喻世明言) (Clear Words to Understand the World) was published in Suzhou in 1620. The second publication was called Jingshi Tongyan (警世通言) (Warnings of the World). These three collections, often referred to as Sanyan (三言, "Three Words") because of the character yan (言) found at the end of each title, each contain 40 stories. Xingshi Hengyan is considered to be a huaben (话本), that is, short novel or novella. The huaben genre has been around since the Song dynasty (960-1279). The huaben genre includes collections of short stories, historical stories, and even stories from Confucian classics.
The Eurasian Way of War
This book is a comparative study of military practice in Sui-Tang China and the Byzantine Empire between approximately 600 and 700 CE. It covers all aspects of the military art from weapons and battlefield tactics to logistics, campaign organization, military institutions, and the grand strategy of empire. Whilst not neglecting the many differences between the Chinese and Byzantines, this book highlights the striking similarities in their organizational structures, tactical deployments and above all their extremely cautious approach to warfare. It shows that, contrary to the conventional wisdom positing a straightforward Western way of war and an "Oriental" approach characterized by evasion ...
More Than the Great Wall
This groundbreaking book provides the first comprehensive analysis of Ming China’s pursuit of national security along its 1,700 miles of northern frontier. Drawing on a wealth of original sources, John Dardess vividly portrays how Ming China’s emperors, officials, and commanders in the field thought, argued, and made decisions in real time as they worked to defend their country. Despite common perceptions of the central role of the so-called Great Wall of China, Dardess convincingly shows that the wall was but a minor piece in a much bigger effort to battle Tatar looting. Dardess immerses readers in the day-to-day world of the Ming as he explores the question of how leaders kept their country safe over the 276 years the dynasty ruled.
Insight into Human Nature: Navigating Complex Relationships with Clarity
We are constantly communicating and interacting with others, and only by deeply understanding the various expressions and inner motivations of human nature can we truly master effective social skills. We can understand others by observing their behavior and reactions and gain better self-understanding by reflecting on our own actions and responses. This enables us to handle various social situations more smoothly and achieve better communication and interaction outcomes. Based on the study of human psychology and behavior, this book integrates knowledge from psychology, sociology, game theory, and other fields to comprehensively reveal the diversity and complexity of human nature. Additionally, through rich case studies and in-depth analysis, the book helps readers better understand and master the theories and methods of gaining insights into human nature.
Visions for the Masses
This collection of Chinese shadow plays contains seven selected traditional shadow plays from the Qing and early Republican periods from Shaanxi and Shanxi. A minor operatic genre, the Chinese shadow theatre provides one of the best avenues for examining the mentality and sense of humor of the silent masses. Although Shaanxi sports the largest number of shadow traditions in China and is where the art form is most vibrant, its shadow plays have never before been published in either Chinese or English. Translated from rare hand-copied play scripts, this volume includes the most literary and refined plays of the genre as well as coarser popular plays and farcical Post-midnight skits. It also features a survey of the state of the shadow theatre in contemporary China, extensive critical introductions and bibliography.
