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Gaillard & Claude
As critical yet amused observers of the social imaginary of our time, since their partnership began in the early 2000s Gaillard & Claude have cultivated an art of absurd intrusion and poetic incidents, adopting an insolent stance in response to the narrative and normative order that infuse society. Through its meanders of nonsense and psychedelia, their art sketches a mental landscape shaped by semantic drifts, perceptive gaps and affective modulations.00Exhibition: MACS Grand-Hornu, Belgium (27.02. - 18.09.2022).
CP138: Gordon Matta-Clark Selected by Yann Chateigné, Hila Peleg, Kitty Scott ENGL
Scholars delve into the CCA's Matta-Clark archive, expanding the scope of the artist's endlessly generative oeuvre This book unpacks the comprehensive Gordon Matta-Clark collection at the Canadian Centre for Architecture (CP138) in Montreal, opening it up to provisional readings from various perspectives. Yann Chateigné reorganizes Matta-Clark's library into areas of inquiry, from alchemy to psychoanalysis, as a framework for gathering traces?--written and drawn?--of his thinking. Hila Peleg reassembles hours of discarded film footage, challenging the notion of documentation and returning to view the physical and social contexts?--the relational space?--of Matta-Clark's interventions. And from hundreds of travel photographs, Kitty Scott constructs a panorama of Matta-Clark's visual notes on the world around him?--a foil to his artworks.
Shifting Corporealities in Contemporary Performance
This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and performance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters, the study explores the reactivation of the body as a site of a new meaning-making politics.
Social Works
This text mediates between visual and performance studies, incorporating political, aesthetic and social discourses. This book uses case studies and contemporary methodologies to give insight into experimental art-making.
The Archive as a Productive Space of Conflict
What are the processes that enable archives to become productive? Conventional archives tend to be defined through the content-specific accumulation of material, which conforms to an existing order or narrative. They rarely transform their structure. In contrast to this model of archival practice and preservation, the conflictual archive has an open framework in which it actively transforms itself, allowing for the creation of new and surprising relationships. Illustrating how spaces of knowledge can be devised, developed, and designed, this archive reveals itself as a space in which documents and testimonies open up a stage for productive dispute and struggle. Exploring nontraditional archi...
Ultramoderne reader
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Blackout
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Joachim Koester - Bringing Something Back
Danish artist Joachim Koester's new book, Bringing Something Back, centres on a series of "meditation tapes". The "tapes" explored the various twilight zones between waking and sleeping, and what can be brought back from such semi-darkened mental states in an exhibition context.Operating on the one hand as a catalogue, the book also sets out to expand this exploration in its own right.A visual essay, compiled by art historian, writer and curator Yann Chateigné, runs through the book and combines Koester's own works with a selection of archival pictures that visually extends the discourse of the "tapes", texts and artworks.Features an interview with an interview between Yann Chateigné and Joachim Koester.Exhibition at Bergen Kunsthall 26. January 2018 -- 18. March 2018
