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Jan Karski, a young Polish diplomat turned cavalry officer, joined the Polish underground movement after escaping from a Soviet detention camp in 1939. He served as a courier for the underground, ferrying messages between occupied Poland and the exiled Polish leaders, before he was captured and brutally tortured by the Gestapo. Escaping from the Germans, Jan Karski was charged with the mission of his lifetime: to convey a message to the Allies about Hitler's program to exterminate the Jews of Europe. He visited Warsaw's Jewish Ghetto so that he could relate the truth about inhuman conditions first hand when he met, soon after, with leaders and top officials in London and President Roosevelt in Washington. He had the ears of the decision–makers, yet nothing was done to prevent the ultimate fate of millions of Jews. Published to immense acclaim in France, The Messenger is a compelling and tragic story. An extraordinary novelized biography about a man's moral courage and our collective humanity, with parallels to Thomas Keneally's Schindler's Ark and WG Sebald's Austerliz.
“A story of madness, art, alcohol and creativity…elegantly translated…vivid.”New York Times An exasperated writer obsessed with American cinema embarks on an increasingly bizarre journey in this heady, engrossing novel. A man writes an enormous screenplay on the life of Herman Melville. Not a single producer is interested in it. One day, someone gives him the phone number of the great American filmmaker Michael Cimino, legendary director of The Deer Hunterand Heaven's Gate. A meeting is arranged in New York, and Cimino reads the manuscript. What follows is a series of crazy adventures through Ellis Island, the Musée de la Chasse in Paris, a lake in Italy. We run into Isabelle Huppert, Diana the hunting goddess, a Dalmatian named Sabbat, a diabolical neighbor, and two shady characters with conspicuous mustaches. There's also a pretty PhD student, an unpleasant concierge, and an aggressive maître d' who looks like Emmanuel Macron... This improbable, insightful tale bridges the divide between cinema and literature in unexpected ways that are at once gratifying and profound.
Honorable Mention, 2020 Best First Book Award presented by the Society for Cinema and Media Studies Claude Lanzmann's 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 91⁄2-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challen...
In Person: Reenactment in Postwar and Contemporary Cinema delineates a new performative genre based on replay and self-awareness. The book argues that in-person reenactment, an actual person reenacting her past on camera, departs radically from other modes of mimetic reconstruction. In Person theorizes this figure's protean temporality and revisionist capabilities and it considers its import in terms of social representativity and exemplarity. Close readings of select, historicized examples define an alternate, confessional-performative vein to understand the self-reflexive nature of postwar and post-holocaust testimonial cinemas. The book contextualizes Zavattini's proposal that in neoreali...
Drawing on philosophy, the history of psychology and the natural sciences, this book proposes a new theoretical foundation for the psychology of the life course. It features the study of unique individual life courses in their social and cultural environment, combining the perspectives of developmental and sociocultural psychology, psychotherapy, learning sciences and geronto-psychology. In particular, the book highlights semiotic processes, specific to human development, that allow us to draw upon past experiences, to choose among alternatives and to plan our futures. Imagination is an important outcome of semiotic processes and enables us to deal with daily constraints and transitions, and promotes the transformation of social representation and symbolic systems - giving each person a unique style, or 'melody', of living. The book concludes by questioning the methodology and epistemology of current life course studies.
Ghenie's works--painted in oils sometimes applied with a palette knife or thrown onto the canvas--have already gained entry into the collections of the Metropolitan Museum of Art, Tate Modern and the Centre Pompidou, and have achieved one auction record after another in the art market. Yet neither Ghenie's subjects nor his technique cater to public taste.lic taste.
A collection of 23 riveting essays on aspects of contemporary French culture by the superstars of the field.
Leading up to World War II, two Polish men witnessed the targeted extermination of Jews under Adolf Hitler and the German Reich before the reality of the Holocaust was widely known. Raphael Lemkin, a Jewish lawyer who coined the term "genocide," and Jan Karski, a Catholic member of the Polish resistance, independently shared this knowledge with Winston Churchill and Franklin D. Roosevelt. Having heard false rumors of wartime atrocities before, the leaders met the messengers with disbelief and inaction, leading to the eventual murder of more than six million people. Messengers of Disaster draws upon little-known texts from an array of archives, including the International Committee of the Red...
Bion’s unfashionable thought is a challenge for our times in which anaesthesia and mass thinking prevail. The themes this book addresses are time and the unconscious. In the present/past, the here and now reveals its relationship with the unredeemable time, which conditions our behaviour and is at the root of a state of hallucinosis in the form of a short-sighted view that is distorted by deep-seated wounds. This book also highlights the resonances with contemporary epistemology and physics that underlie the new paradigm of psychoanalytic field theory. The topic of the unconscious raises questions about its origin and the difference between the Bionian and the Freudian unconscious. In Bion we see an evolutionary, process character emerge, with a double movement of repetition and expansion within a single system in unstable equilibrium, for which there is no conscious feeling that does not also carry with it the shadow of the unconscious. Drawing on psychoanalytic and philosophical concepts this book is essential reading for psychoanalysts, psychotherapists, philosophers and anyone who wishes to understand more fully what it means to be human.