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For a New World to Come
18 contributed articles interspersed with 21 short studies (one page of text and 3 pages of pictures) of particular artists/photographers.
Utopia/dystopia
"Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated with works from the accompanying exhibition"--
Naoya Hatakeyama
For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Naoya Hatakeyama: Excavating the Future City is the first English-language survey on this renowned Japanese photographer; his work will be introduced by his own writings, as well as in-depth essays by Yasufumi Nakamori, Toyo Ito, and Philippe Forest.
Katsura
Catalog of an exhibition held at the Museum of Fine Arts, Houston, June 20-Sept. 12, 2010.
Decolonising the Camera
Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human...
A Field Measure Survey of American Architecture
Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ?one-way road trip? across the United States, weaving north and south across the Mason-Dixon line while tacking west. In A Field Measure Survey of American Architecture, Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled.00Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. A Field Measure Survey sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.
Martín Chambi: Photography
Of indigenous origin, Chambi dedicated a large part ofhis life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through the images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi brings a new perspective to local photography of the time, proposing a unifying gaze of Peru and on the emerging indigenous discourse that was starting to gain force in this territory. Eleven years after Hiram Bingham photographed the Inca citadelle Machu Picchu for an exclusive journalistic story for National Geographic, Martín Chambi photographed it through his own lens. After that experience, his work entered a different stage, in which the management of light, form, space and texture shifts towards singular angles and astrong personal aesthetic, making him an emblem of contemporary documentary photography in Peru and Latin America.
Changing and Unchanging Things
Published on the occasion of the exhibition Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan, organized by The Isamu Noguchi Foundation and Garden Museum. Venues: Yokohama Museum of Art, January 12-March 24, 2019; The Isamu Noguchi Foundation and Garden Museum, May 1-July 14, 2019; Asian Art Museum of San Francisco, September 27-December 8, 2019. This exhibition is made possible through lead support from the Terra Foundation for American Art.
Sleeping by the Mississippi
Evolving from a series of road trips along the Mississippi River, Alec Soth's Sleeping by the Mississippi captures America's iconic yet oft-neglected "third coast." Soth's richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, his book elicits a consistent mood of loneliness, longing and reverie. "In the book's forty-six ruthlessly edited pictures," writes Anne Wilkes Tucker, "Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex... The coherence of the project places Soth's book exactly within the tradition of Walker E...
Gender Violence, Art, and the Viewer
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history. Contributors to this timely volume amplify the...
