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Telling and Being Told
Through performance and the spoken word, Yucatec Maya storytellers have maintained the vitality of their literary traditions for more than five hundred years. Telling and Being Told presents the figure of the storyteller as a symbol of indigenous cultural control in contemporary Yucatec Maya literatures. Analyzing the storyteller as the embodiment of indigenous knowledge in written and oral texts, this book highlights how Yucatec Maya literatures play a vital role in imaginings of Maya culture and its relationships with Mexican and global cultures. Through performance, storytellers place the past in dynamic relationship with the present, each continually evolving as it is reevaluated and rei...
Spaces of Representation
Spaces of Representation: The Struggle for Social Justice in Postwar Guatemala juxtaposes a variety of contemporary Guatemalan discourses - literary fiction, testimonio, historical and political documents, and popular drama - calling into question such notions as truth, clarification, memory, and storytelling in the representation of human experience. It analyzes these texts in an effort to further a broader understanding of the dynamic social tensions that continue to exist in Guatemala despite the signing of the 1996 Peace Accords. This book illuminates the contemporary cultural production of Guatemala by highlighting peace and social justice - not as accomplished political and economic goals, but as perpetual motives for social transformation in Central America.
A Beauty That Hurts
Though a 1996 peace accord brought a formal end to a conflict that had lasted for thirty-six years, Guatemala's violent past continues to scar its troubled present and seems destined to haunt its uncertain future. George Lovell brings to this revised and expanded edition of A Beauty That Hurts decades of fieldwork throughout Guatemala, as well as archival research. He locates the roots of conflict in geographies of inequality that arose during colonial times and were exacerbated by the drive to develop Guatemala's resources in the nineteenth and early twentieth centuries. The lines of confrontation were entrenched after a decade of socioeconomic reform between 1944 and 1954 saw modernizing i...
Recovering Lost Footprints, Volume 1
Recovering Lost Footprints is the first full-length critical study to analyze Latin American Indigenous literary narratives in a systematic manner. In the book, Arturo Arias looks at Maya narratives in Guatemala. The study of these works is intended to spark changes so that constitutions recognize these cultures, their rights, their languages, their centers of worship, and their cosmologies. Through this study, Arias problematizes the partial or full omission of Latin America's original inhabitants from recognized citizenry. This book analyzes these elements of exclusion in the novelistic output of three salient figures, Luis de Lión, Gaspar Pedro González, and Víctor Montejo. The works by these writers offer evidence that most native people have entered modernity without renouncing their respective cultures or the specifics of their singular identities. The philosophical ethics elaborated in the texts, such as respect for nature and recognition of the holistic value of natural beings, enable non-Indigenous readers to both understand and relate to these values.
Indigenous Religion and Cultural Performance in the New Maya World
Based on more than thirty years of ethnographic fieldwork in Highland Guatemala, this study of Maya diviners, shamans, ritual dancers, and religious brotherhoods describes the radical changes in traditional Maya religious practice wrought by economic globalization and political turmoil. Focusing on the primary participants in the annual festival in the K’iche’ Maya village of Santiago Momostenango, the authors show how older religious traditionalists and the new generation of “cultural activist” religious practitioners interact within a single local community, and how their competing agendas for adapting Maya religiosity to a new and continually changing political economy are perpetuating and changing Maya religious traditions.
2000 Years of Mayan Literature
A chronological survey of Mayan literature, covering two thousand years, from the earliest hieroglyphic inscriptions to later works using the Roman alphabet.
Re-Enchanting the World
In considering the interplay between contemporary Protestant practice and native cultural traditions among Maya evangelicals, this work documents the processes whereby some Maya have converted to different forms of Christianity and the ways in which the Maya are incorporating Christianity for their own purposes.
El Q'anil
The legend of El Q'anil, the "Man of Lightning," stands alongside such classic Maya literary artifacts as Popol Vuh and Chilam Balam but has been preserved only through the oral tradition of the Jakaltek Maya. In this tale, the young man Xhuwan Q'anil brings lightning to his people in order to save them from destruction. He undertakes a journey of adventure, participates in a great war, and is subsequently immortalized. It is a story that all Jakaltek children learn, one that reinforces their identity by showing that their people have a hero who lives in each Jakaltek Maya today. VA-ctor Montejo, who was raised in Maya culture and knows its lore intimately, compiled several versions of the l...
Parallel Worlds
Despite recent developments in epigraphy, ethnopoetics, and the literary investigation of colonial and modern materials, few studies have compared glyphic texts and historic Maya literatures. Parallel Worlds examines Maya writing and literary traditions from the Classic period until today, revealing remarkable continuities across time. In this volume, contributions from leading scholars in Maya literary studies examine Maya discourse from Classic period hieroglyphic inscriptions to contemporary spoken narratives, focusing on parallelism to unite the literature historically. Contributors take an ethnopoetic approach, examining literary and verbal arts from a historical perspective, acknowledg...
Renewing the Maya World
Each year in the Highland Guatemala town of Santiago Momostenango, Maya religious societies, dance teams, and cofradías perform the annual cycle of rituals and festivals prescribed by Costumbre (syncretized Maya Christian religion), which serves to renew the cosmic order. In this richly detailed ethnography, Garrett Cook explores how these festivals of Jesucristo and the saints derive from and reenact three major ancient Maya creation myths, thus revealing patterns of continuity between contemporary expressive culture and the myths, rituals, and iconography of the Classic and Postclassic Maya. Drawing on fieldwork conducted in the 1970s and renewed in the 1990s, Cook describes the expressiv...
