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September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love ...
Told from four different perspectives, At the Breakfast Table is a story of hidden histories and family secrets, from the author of The Silence of Scheherazade. Buyukada, Turkey, 2017. In the glow of a late summer morning, family gather for the 100th birthday of the famous artist Shirin Saka. It ought to be a time of fond reminiscence, looking back on a long and fruitful artistic career, on memories spanning almost a century. But the deep past is something Shirin has spent a lifetime trying to conceal. Her grandchildren, Nur and Fikret, and great-grandchild, Celine, do not know what she's hiding, though they are intimately aware of the secret's psychological consequences. The siblings invite family friend and investigative journalist Burak along to interview Shirin – in celebration of her centenary, and also in the hope of persuading her to open up. Eventually Shirin begins to express her pain the only way she knows how. She paints a story onto her dining room wall, revealing a history wiped from public consciousness and generations of her family's history. 'Fiercely intelligent, finely textured and achingly beautiful.' Elif Shafak
As an institutional practice, archival practices often tent to serve to colonization, surveillance and discipline society of the Modern world. In the last ten years, with the digital technology and social movement detecting, recording and accumulating images become a civil activity. Thus, archiving videos and other types of visual images brought also non-institutional practices and as well contemporary discussions related to image, open source, collectivity and forensics. Beside interviews with video activists; this book compiles several writers’ articles on their practices and discussions of archives from several angles: forensics, decolonization and commons. The term “archiving” in d...
Individuals seek ways to repress the sense of violence within themselves and often resort to medial channels. The hunger of the individual for violence is a trigger for the generation of violent content by media, owners of political power, owners of religious power, etc. However, this content is produced considering the individual’s sensitivities. Thus, violence is aestheticized. Aesthetics of violence appear in different fields and in different forms. In order to analyze it, an interdisciplinary perspective is required. The Handbook of Research on Aestheticization of Violence, Horror, and Power brings together two different concepts that seem incompatible—aesthetics and violence—and f...
Part of African Art and Society Series, this book focuses on contemporary art and art criticism in Africa in general and in Zimbabwe, South Africa, Nigeria and Egypt in particular.
Aslan Kadının Mirası, Arlene Voski Avakian’ın, Amerika’da geleneksel bir Ermeni aileden gelip bir kadın ve feminist olarak kendini inşa edişinin zorlu serüvenini anlatıyor. 1915’te soykırımdan sağ kurtulmuş bir ailenin üçüncü kuşaktan torunu olan Avakian, geleneksel orta sınıf değerlerle donanmış bir ortamda yetiştikten sonra kişiliğini, kimliğini arama ve bulma mücadelesini adım adım ilerleyerek aktarıyor metinde. Sahiciliği yazarın her an kendini sorgulayan samimiyetinden ileri gelen bu anlatıda Avakian, çevresinde örülmüş olan toplumsal hayatın ona aktardığı değerlerin hakikiliğini sorgularken, kişisel ve toplumsal güç ilişkilerinin v...
This book is a collection of letters and treatises by Bediuzzaman about resurrection and its basis in Islam. It includes the famous 10th Word from the book The Words.
Reflecting a global trend, scores of countries have affirmed that their citizens are entitled to healthy air, water, and land and that their constitution should guarantee certain environmental rights. This book examines the increasing recognition that the environment is a proper subject for protection in constitutional texts and for vindication by constitutional courts. This phenomenon, which the authors call environmental constitutionalism, represents the confluence of constitutional law, international law, human rights, and environmental law. National apex and constitutional courts are exhibiting a growing interest in environmental rights, and as courts become more aware of what their peers are doing, this momentum is likely to increase. This book explains why such provisions came into being, how they are expressed, and the extent to which they have been, and might be, enforced judicially. It is a singular resource for evaluating the content of and hope for constitutional environmental rights.
How fragile is our knowledge of morality, compared to other kinds of knowledge? Does knowledge of the difference between right and wrong fundamentally differ from knowledge of other kinds? Sarah McGrath offers new answers to these questions as she explores the possibilities, sources and characteristic vulnerabilities of moral knowledge.