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Boycott and divestment are essential tools for activists around the globe. Today’s organizers target museums, universities, corporations, and governments to curtail unethical sources of profit, discriminatory practices, or human rights violations. They leverage cultural production – and challenge its institutional supports – helping transform situations in the name of social justice. The refusal to participate in an oppressive system has long been one of the most powerful weapons in the organizer’s arsenal. Since the days of the 19th century Irish land wars, when Irish tenant farmers defied the actions of Captain Charles Boycott and English landlords, “boycott” has been a method ...
Edited by Denise Robinson, "Realities in raw motion" presents a selection of texts from the conference held on 23 - 25 November 2012at the Cyprus University of Technology.
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ide...
This book considers the "Greatest Hits" of ancient Near Eastern art and archaeology, including canonical objects, sites, and monuments from Egypt, the Levant, Turkey, Syria, Iraq, and Iran, from the prehistoric era through the Classical period. Gansell, Shafer, and their contributors investigate the factors that have made these historical artifacts so well known for so long. By questioning the canon, this book allows readers to better reflect on the range of ancientNear Eastern culture and revise the canon so it can accommodate new discoveries, represent the values of heritage communities, and remain relevant to contemporary and future audiences.
From Francis Alÿs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks ...
Israeli American journalist Schalit distinguishes between the Israel he knows and the image of it in the minds of Americans. “An incisive look at the connection between the US and Israel, and their respective roles on the world stage . . . Israel vs. Utopia is a book that could only be written by someone intimate with the ethos of both countries.” —Jerusalem Post Israel is a synonym for many things: the ancestral home of the Jewish people, the hell of the Palestinians, the realization of a centuries-old dream of freedom, and the heart of the War on Terror. No country inspires as much debate about its rights and wrongs, its legitimacy and illegitimacies, than Israel. Historically associ...