You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The inaugural volume of the Year's Best Weird Fiction. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres. Hence, in this initial showcase of weird fiction you will discover tales of horror, fantasy, science fiction, the supernatural, and the macabre.
SHORTLISTED FOR THE BRITISH FANTASY AWARDS A landmark, eclectic, leviathan-sized anthology of fiction's wilder, stranger, darker shores. The Weird features an all star cast of authors, from classics to international bestsellers to prize winners: Ben Okri George R.R. Martin Angela Carter Kelly Link Franz Kafka China Miéville Clive Barker Haruki Murakami M.R. James Neil Gaiman Mervyn Peake Michael Chabon Stephen King Daphne Du Maurier and more... Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities; You will find the boldest and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled.
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Miéville's novels set in the world of Bas-Lag. The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants linger in the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians, junkies and whores. Now a stranger has come, with a pocketful of gold and an impossible demand, and inadvertently something unthinkable is released. Soon the city is gripped by an alien terror – and the fate of millions depends on a clutch of outcasts on the run from lawmakers and crime-lords alike. The urban nightscape becomes a hunting ground as battles rage in the shadows of bizarre buildings. And a reckoning is due at the city's heart, in the vast edifice of Perdido Street Station. It is too late to escape.
Weird Tales has always been the most popular and sought-after of all pulp magazines. Its mix of exotic fantasy, horror, science fiction, suspense, and the just plain indescribable has enthralled generations of readers throughout the world. Collected here are 13 of the best short stories published in Weird Tales' first year of publication, 1923 -- classics by many who would later play an integral part in the Unique Magazine, such as H.P. Lovecraft, Frank Owen, and Farnsworth Wright.
Showcasing the finest weird fiction published in 2017, volume 5 of the Year's Best Weird Fiction is the final, triumphant volume in the acclaimed series. Editors Robert Shearman and Michael Kelly bring their knowledge and skill to this fifth and final volume of the Year's Best Weird Fiction. Michael Kelly - Foreword Robert Shearman - Introduction Kurt Fawver - The Convexity of Our Youth Ben Loory - The Rock Eater Brenna Gomez - Corzo Kathleen Kayembe - You Will Always Have Family: A Triptych Daniel Carpenter - Flotsam Michael Mirolla - The Possession Ian Muneshwar - Skins Smooth as Plantain, Hearts Soft as Mango Claire Dean - The Unwish Kristi DeMeester - Worship Only What She Bleeds David P...
“Other names besides [Herman] Melville’s will surely come to mind as you read this thrilling tale—there’s Dune’s Frank Herbert. . . . But in this, as in all of his works, Miéville has that special knack for evoking other writers even while making the story wholly his own.”—Los Angeles Times On board the moletrain Medes, Sham Yes ap Soorap watches in awe as he witnesses his first moldywarpe hunt: the giant mole bursting from the earth, the harpoonists targeting their prey, the battle resulting in one’s death & the other’s glory. Spectacular as it is, Sham can’t shake the sense that there is more to life than the endless rails of the railsea—even if his captain thinks on...
A creepy collection of 10 unsettling horror stories from a master storyteller The splash from something enormous resounds through the sea-fog. In the stillness of a dark room, some unspeakable evil is making its approach. . . Abandon the safety of the familiar with 10 nerve-wracking episodes of horror penned by master of atmosphere and suspense, William Hope Hodgson. From encounters with abominations at sea to fireside tales of otherworldly forces recounted by occult detective Carnacki, this new selection offers the most unsettling of Hodgson's weird stories, guaranteed to terrorize the steeliest of constitutions.
Acclaimed author Kathe Koja brings her expert eye and editorial sense to the second volume of the Year's Best Weird Fiction. Contributing authors include Julio Cortazar, Jean Muno, Karen Joy Fowler, Caitlin R. Kiernan, Nick Mamatas, Carmen Maria Machado, Nathan Ballingrud, and more. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.
No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Its remit includes ghost stories, the strange, macabre, supernatural, fantasy, and the outre. Weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is the most diverse and welcoming of all genres.
Thirteen tales of terror—from the macabre and morbid to unexplainable stories of the occult—from such authors as Harry Houdini, H. P. Lovecraft, and others. First hitting newsstands in 1923, Weird Tales magazine quickly became a literary monster in discovering and publishing the best horror, sci-fi and fantasy writers of its day. The pulp magazine was one of the earliest publications, if not the first, to feature strange tales of occultism and alien invasions that simply didn’t fit into any other magazine at that time. The stories struck a chord with those early audiences, and as a result, Weird Tales created a subgenre as “weird” could be attached itself to various genres. Marquee...