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Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together.
The true story of the flourishing of a theatre in a wartime Jewish Ghetto. Winner of the 1989 Evening Standard Award for Best Play
The first book-length investigation of theater and drama in Israel
Israel presents a panoramic display of fresh interpretations and new research findings related to Israel's first decade of independence. Those years of rapid change are widely regarded as a formative period in the development of the state and the society. As new archival materials have become available for scrutiny, a new generation of historians and social scientists has begun to re-examine old issues and to raise new questions. In this context of academic ferment, scholars in diverse disciplines, of different generations and of opposing ideological orientations, have collaborated in this book in examining the period anew. Thirty-two authoritative essays offer new understandings from the diverse perspectives of history, political science, sociology, literary criticism, geography, anthropology, and law. The intention is to provide a wide-ranging reconsideration of post-independence Israel that will serve as a benchmark for future study and research.
This book brings together fascinating discussions of the way in which Muslim and Jewish beliefs and practices are represented in modern literary texts of poetry, fiction and drama. The chapters collected here consider elements of the expression of Judaism and Islam in modern literature. Key topics such as religious ideas and teachings, aspects of mysticism, the tenets of religion, uses made of sacred texts, religion and popular culture and reflections of religious controversies are covered. While there is an embodied comparative element to the chapters, the essays are not confined by comparisons and cover a wide range of the literary expression of religious issues. With contributions from a group of international scholars, all of whom are experts in the field and each of whom has brought a particular perspective to the topic, this book is a significant contribution to, and will stimulate further research on, the various literatures treated, reflection on comparative work on these two cultural traditions, and new interest in literary expressions of religion and religiousness in general.
A large number of political plays have been written in Israel over the past fifty years, and they are perceived, by audiences and critics alike, as major interventions in the country's ongoing political debates; the result is that Israeli drama is at the centre of many public controversies. In this first full-length study of Israeli political drama Glenda Abramson shows that during the early years of the State of Israel most of its intellectuals were identified with the 'official' state interpretation of Zionism. After the Six-Day War in 1967 an influential group of playwrights, concerned with the evolution of Zionist ideology in the modern nation state, began to question the ethical basis of Zionism. Hanokh Levin, Yehoshua Sobol, Yosef Mundi, Miriam Kainy, Amos Kenan and others have gone on to examine Zionism as it affects contemporary Israeli society.
opinion, the Guide offers a discriminating - and sometimes controversial - view of a broad range of contemporary literatures.
Presents an encyclopedia of Jewish culture from 1973 to 2005, including secular and religious examples from the visual arts, literature, and popular culture.