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Dancing with someone is an act of trust. Elegant and intimate; you're close enough to kiss, close enough to feel your partner's heartbeat. But for Vanessa, dance is deadly - and she must be very careful who she trusts . . .Vanessa Adler attends an elite ballet school - the same one her older sister, Margaret, attended before she disappeared. Vanessa feels she can never live up to her sister's shining reputation. But Vanessa, with her glorious red hair and fair skin, has a kind of power when she dances - she loses herself in the music, breathes different air, and the world around her turns to flames . . . Soon she attracts the attention of three men: gorgeous Zep, mysterious Justin, and the great, enigmatic choreographer Josef Zhalkovsky. When Josef asks Vanessa to dance the lead in the Firebird, she has little idea of the danger that lies ahead - and the burning forces about to be unleashed . . .
All dancers dream of the chance to try out for the Royal Court Ballet Company. Only two dancers from the elite New York Ballet Academy will have this honour. Vanessa is one of them. She dances with grace and elegance, and a fury that is unmatched. Justin – strong, sexy and caring – will be her partner. But the thrill of travelling to London for this once-in-a-lifetime competition is shrouded by their past and the demands of an ancient organisation. The Lyric Elite needs them to win the contest and to infiltrate the Royal Court Ballet in order to seek out a dark society of Necrodancers. Vanessa will dance like she has never danced before, but not for them. Vanessa is there to find her missing sister, Margaret, and she won't let anything get in the way of that ... Fierce rivals, dark forces and hidden motives weave together in a gripping thriller for fans of Black Swan and Cassandra Clare's Mortal Instruments.
Yelena Khanga tells the compelling story of growing up black in Russia and journeying through cultures to learn about her forebears and meet relatives she had never known. From the days of slavery in the cotton fields of Mississippi to the Moscow of Stalin and Brezhnev, from Jewish New York and Harlem in the twenties to modern-day Los Angeles, Long Island, and Zanzibar, Soul to Soul is a four-generation family memoir.
Dancing with someone is an act of trust. Elegant and intimate; you're close enough to kiss, close enough to feel your partner's heartbeat. But for Vanessa, dance is deadly - and she must be very careful who she trusts . . . Vanessa Adler attends an elite ballet school - the same one her older sister, Margaret, attended before she disappeared. Vanessa feels she can never live up to her sister's shining reputation. But Vanessa, with her glorious red hair and fair skin, has a kind of power when she dances - she loses herself in the music, breathes different air, and the world around her turns to flames . . . Soon she attracts the attention of three men: gorgeous Zep, mysterious Justin, and the great, enigmatic choreographer Josef Zhalkovsky. When Josef asks Vanessa to dance the lead in the Firebird, she has little idea of the danger that lies ahead - and the burning forces about to be unleashed . . .
Longlisted for the Swansea University Dylan Thomas Prize 2020 'A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song ... Moskovich writes sentences that lilt and slink, her plots developing as a slow seduction and then clouding like a smoke-filled room.' Guardian Zorka. She had eyebrows like her name. 1980s Prague. For Jana, childhood means ration queues and the smell of boiled potatoes on the grey winter air. But just before Jana's seventh birthday, a new family moves in to their building: a bird-eyed mamka in a fox-fur coat, a stubble-faced papka - and a raven-haired girl named Zorka. As the...
How the streets were made -- The secret of selling the Negro: the creation of black urban consumerism -- From the street to the streets: black literary production and urban space -- Music born of the streets: hip hop's articulations of urban life and identity -- A hood genre: visualizing the streets in TV and film.
All dancers dream of the chance to try out for the Royal Court Ballet Company. Only two dancers from the elite New York Ballet Academy will have this honour. Vanessa is one of them. She dances with grace and elegance, and a fury that is unmatched. Justin - strong, sexy and caring - will be her partner. But the thrill of travelling to London for this once-in-a-lifetime competition is shrouded by their past and the demands of an ancient organisation. The Lyric Elite needs them to win the contest and to infiltrate the Royal Court Ballet in order to seek out a dark society of Necrodancers. Vanessa will dance like she has never danced before, but not for them. Vanessa is there to find her missing sister, Margaret, and she won't let anything get in the way of that ...Fierce rivals, dark forces and hidden motives weave together in a gripping thriller for fans of Black Swan and Cassandra Clare's Mortal Instruments.
Collects Black Widow (2020) #1-5. Something is very wrong with Natasha: She’s…happy?! Kelly Thompson. Black Widow. ’Nuff said! The best-selling, Eisner Award–nominated writer of CAPTAIN MARVEL joins rising-star artist Elena Casagrande to change everything for Natasha Romanoff! The Widow has been a spy almost as long as she’s been alive. And she’s never stopped running, whether she was working for the good guys or the bad. But retirement definitely agrees with the world’s deadliest woman as she revels in the perfect life she never dreamed she could have. But scratch the surface of that perfect life and you’ll find something very wrong lurking beneath it — and a woman like Nat just can’t help but scratch. Beyond San Francisco’s Golden Gate Bridge lies a mystery only the Marvel Universe’s greatest spy can solve! Prepare for a can’t-miss thrill ride!
“A virtuosic debut [and] a wry look at immigrant life in the global age.” —Vogue Having left Odessa for Brighton Beach, Brooklyn, with a sense of finality, the Nasmertov family has discovered that the divide between the old world and the new is not nearly as clear-cut as they had imagined. With the collapse of the Soviet Union, returning is just a matter of a plane ticket, and the Russian-owned shops in their adopted neighborhood stock even the most obscure comforts of home. Pursuing the American Dream once meant giving up everything, but does the dream still work if the past refuses to grow distant and mythical, remaining alarmingly within reach? If the Nasmertov parents can afford only to look forward, learning the rules of aspiration, the family’s youngest, Frida, can’t help looking back—and asking far too many questions. Yelena Akhtiorskaya’s exceptional debut has been hailed not only as the great novel of Brighton Beach but as a “breath of fresh air … [and] a testament to Akhtiorskaya’s wit, generosity, and immense talent as a young American author” (NPR).
Collects The Web Of Black Widow (2019) #1-5. The spy tale of the century! Natasha Romanoff is the deadliest spy in the Marvel Universe and the beating heart of the Avengers. But when a mysterious figure starts exploiting her murky past, the Widow must go underground and off the grid! Who can she trust in this web of deceit? And more important, can her friends trust her anymore? Natasha must run down all the names from her past — starting with Tony Stark and Bucky Barnes! The Widow and the Winter Soldier have quite a history — but when they reunite, they may wind up without a future. Fellow Black Widow Yelena Belova comes calling, but can she help Natasha rise above her past? And when the Widow targets Hawkeye, she might find herself shot through the heart!