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Korean Art from 1953: Collision, Innovation and Interaction
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Interpreting Modernism in Korean Art
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Story of Shim Chung
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Lee Bul, on every new shadow
Lee Bul is one of the leading Korean artists of her generation. This book accompanies her ambitious new sculptural installation at the Fondation Cartier pour lart contemporain in Paris.Variously suspended in mid-air or anchored to the floor, the sculptures constitute a singular environment that engages with the surrounding Jean Nouvel architecture, inhabiting and elaborating on its physical and conceptual frameworks. Complex and sensuous, the artists installation manifests the disintegration of utopian aspirations that continue to haunt the collective imagination in a darkly seductive space of glittering ruins and vestiges.
The Korean War and Postmemory Generation
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confi...
Visualizing Beauty
Visualizing Beauty examines the intersections between feminine ideals and changing socio-political circumstances in China, Japan, and Korea during the first half of the twentieth century. Eight essays present a broad range of visual products that informed concepts of beauty and womanhood, including fashion, interior design magazines, newspaper illustrations, and paintings of and by women. Studying "Traditional Woman" and "New Woman" as historical categories, this anthology contemplates the complex relations between feminine subjectivity and the promotion of modernity, commerce, and colonialism.
Modern and Contemporary Art in Korea
Modern and Contemporary Art in Korea deals with issues of tradition, modernity, and identity in modern and contemporary Korean art in Korea. On a deeper level, this is one of the only books of its kind in English that exposes readers to specific artists and their works, an especially useful resource for those who wish to know more than just surface level facts about Korean art.
Korean Art
The first comprehensive English-language survey of contemporary art from Korea, showcasing 120 artists, museum and gallery directors, curators, and collectors Despite its small geographical size, Korea has perhaps the most sophisticated contemporary art scene in Asia. In recent years, its vibrancy has been lighting up the whole world, with artists such as Do Ho Suh, Kimsooja, Michael Joo, and Koo Jeong-A emerging as major players on the international art scene. This book profiles these and many other acclaimed figures as well as such up-and-coming artists as Lee Yong Baek, Jeon Joohno, and Moon Kyungwon. Interviews with influential curators, like Doryun Chong and Seungduk Kim, as well as the heads of some of the country’s leading arts institutions, round out the text. The country’s art historical origins are explored within the context of modernist preoccupations inside and outside Korea. Incisive and in-depth essays by leading international scholars Sook-Kyung Lee, Youngna Kim, and John Rajchman serve to make the book a vital resource for both those in the know and readers wishing to acquaint themselves with Korea’s contemporary art scene for the first time.
