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Aunque esta obra no es exactamente una biografía del estelar Orestes Kindelán, nos permite acercarnos a la vida y el quehacer de este pelotero cubano, a través de la narración, contrastada con referencias proporcionadas por personas cercanas en el aspecto afectivo, deportivo, así como las propias declaraciones del protagonista. El lector podrá calibrar la dimensión humana y deportiva de Orestes Kindelán, gracias a la palabra de familiares, amigos, compañeros del deporte, aficionados, admiradores de muy diversas edades y sectores sociales, incluyendo personalidades de la cultura, la ciencia y el deporte nacional.
Uno de los más grandes pesos medianos, 75 kilos, en la historia del boxeo profesional en el mundo fue Evelio Mustelier, Kid Tunero, prácticamente desconocido en Cuba, porque desarrolló casi toda su carrera en Europa. Campeón sin corona, recrea los momentos más significativos de este genuino as del boxeo. Juan Emilio pasó cerca de treinta años de búsqueda con el objetivo de visualizar su extraordinaria capacidad sobre el cuadrilátero.
This book demonstrates how the modern relationship between leaders and followers in America grew out of late-nineteenth and early-twentieth century charismatic social movements.
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"Genie Milgrom was born in Havana, Cuba, into a Roman Catholic family of Spanish ancestry. At the age of five, during the Cuban Revolution, her family immigrated to the United States, and she has lived in Miami, Florida, ever since. Genie was always interested in her family genealogy, but when she learned of the possibility of having Converso Jewish roots, her search for the truth about her family's past took on a deeper significance...She was able to fully document her unbroken maternal lineage, going back as far as 1480, to Pre-Inquisition Spain and Portugal" -- Back cover.
'Go, kiss the world' were Subroto Bagchi's blind mother's last words to him. These words became the guiding principle of his life. Subroto Bagchi grew up amidst what he calls the 'material simplicity' of rural and small-town Orissa, imbibing from his family a sense of contentment, constant wonder, connectedness to a larger whole and learning from unusual sources. From humble beginnings, he went on to achieve extraordinary professional success, eventually co-founding MindTree, one of India'™s most admired software services companies. Through personal anecdotes and simple words of wisdom, Subroto Bagchi brings to the young professional lessons in working and living, energizing ordinary people to lead extraordinary lives. Go Kiss the World will be an inspiration to 'young India', and to those who come from small-town India, urging them to recognize and develop their inner strengths, thereby helping them realize their own, unique potential.
Features three new chapters on exercise and cognitive function, energy and fatigue, and pain; thoroughly revised chapters on the correlates of exercise, neuroscience, stress, depression, and sleep. Includes a glossary.
En el contexto de la exponencial evolución tecnológica que ha caracterizado a la Cuarta Revolución Industrial, la Inteligencia Artificial (IA) emergió y se consolidó no solo como una herramienta innovadora, sino como una poderosa interfaz de comunicación y mediación social. Su capacidad de procesamiento masivo de datos y su potencial para transformar diversas áreas del conocimiento nos obliga a cuestionar no solo su eficiencia, sino también las profundas implicaciones éticas y sociales que trae consigo. La IA, en su calidad de interfaz tecnológica avanzada, ha trascendido los límites de la ciencia ficción para insertarse en los tejidos más profundos de la sociedad contemporáne...
Ranging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist's investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala (2017) to the Mastercard logo in Mastercard (2013). Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell.