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In a world in which migration and the mixing of peoples are increasing while at the same time multicultural ideology has given rise to the reassertion of putative primordial differences between peoples, interesting questions are raised about the relationships between political rhetoric and social action, groupness and individuality, and the public and the private. The rate of intermarriage is considered by sociologists the most important statistical test of the strength or weakness of structural divisions within societies. What do social anthropologists have to say about heterogamy and homogamy in situations of movement and flux, and what does this tell us about processes of boundary-definition?
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In February 2019, Harmony Siganporia walked from Dandi to Ahmedabad, retracing the route of Gandhi's Salt March in reverse. She walked this route of just under 400 kilometres over 25 days, much as Gandhi and the original band of Marchers did in 1930. The 'Dandi Path' is the setting against which she explores the story of modern Gujarat, tracing the contours of the state's seismic shift towards espousing the narrative of vikas, abandoning in the process the possibility of a quest for swaraj. Gujarat has been described as the laboratory of Hindutva, and this book is an effort to explore this theme, even as it attempts to unearth whether there remain any competing epistemes to it; memories of the region's prior avatar as the setting against which Gandhi put into practice his experiments with truth, non-violent civil disobedience, and satyagraha. This project investigates what--if anything--remains of the Salt March in Gujarat's cultural memory, while also attempting to fill out the contours of the 'single story' of vikas with which the State has become so closely associated.
Combines the voices of scholars and practitioners in analysing Buddhist women's history. 26 articles document the lives of women who have set in motion changes within Buddhist societies, with analyses of issues such as gender, ethnicity, authority, and class that affect the lives of women in traditional Buddhist cultures and, increasingly, the west.
What does disgust have to do with citizenship? How might pain and pleasure, movement, taste, sound and smell be configured as aspects of national belonging? Senses and Citizenships: Embodying Political Life examines the intersections between sensory phenomena and national and supra-national forms of belonging, introducing the new concept of sensory citizenship. Expanding upon contemporary understandings of the rights and duties of citizens, the volume presents anthropological investigations of the sensory aspects of participation in collectivities such as face-to-face communities, ethnic groups, nations and transnational entities. Rethinking relationships between ideology, aesthetics, affect...
Describes and analyses the corollaries of declining fertility in Southern India to discover how familial and gender relations are affected by the new situation of women giving birth only to 2-3 children.
Dance Ethnography and Global Perspectives presents the work of dance scholars whose professional fieldwork spans several continents and includes studies of the dance and movement systems of varied global communities.
How can we create more inclusive spaces in the field of dance? This book presents a framework for dance practitioners and researchers working in diverse dance cultures to navigate academia and the professional dance field. The framework is based on the idea of "cultural confluences," conjuring up an image of bodies of water meeting and flowing into and past one another, migrating through what the authors refer to as the mainstream and non-mainstream. These streams are fluid categories that are associated with power, privilege, and the ability (or inability) to absorb other cultural forms in shared dance spaces. In reflective interludes and dialogues, Emoghene and Spanos consider the effects of migration on their own individual experiences in dance to understand what it means to carry culture through the body in various spaces. Through an analysis of language, aesthetic values, spaces, creative processes, and archival research practices, the book offers a collaborative model for communicating the value that marginalized dance communities bring to the field. This book will be of great interest to students, scholars, and arts administrators in dance.