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The Beauty of Detours
Proposes an innovative, holistic understanding of technology. The Beauty of Detours proposes a new way of understanding and defining technology by reading systems thinker Gregory Bateson in the framework of contemporary philosophy of technology. Although “technology” was not an explicit focus of Bateson’s oeuvre, Yoni Van Den Eede shows that his thought is permeated with insights directly relevant to contemporary technological concerns. This book provides a systematic reading of Bateson that reveals these under-investigated elements of his thought. It also critiques the field of philosophy of technology for still reifying “technology” too much despite its attempt to de-reify it, ar...
Postphenomenology and Imaging
How should we understand the experience of encountering and interpreting images? What are their roles in science and medicine? How do they shape everyday life? Postphenomenology and Imaging: How to Read Technology brings together scholars from multiple disciplines to investigate these questions. The contributors make use of the “postphenomenological” philosophical perspective, applying its distinctive ideas to the study of how images are experienced. These essays offer both philosophical analysis of our conception of images and empirical studies of imaging practice. Edited by Samantha J. Fried and Robert Rosenberger, this collection includes an extensive “primer” chapter introducing and expanding the postphenomenological account of imaging, as well as a set of short pieces by “critical respondents”: prominent scholars who may not self-identify as doing postphenomenology but whose adjacent work is illuminating.
The Post-Truth Condition
The Post-Truth Condition: Philosophical Reflections, edited by Tarun Jose Kattumana and Simon Truwant, demonstrates that the absence of a unitary understanding of the phenomenon of post-truth stems from the complex nature of the “post-truth condition” itself. By approaching post-truth as a broad and multi-layered societal issue, the contributors offer an original contribution to the existing scholarship in three ways. First, they show that post-truth can only be adequately understood if it is viewed not only as a political matter, but also as a pervasive cultural phenomenon. Secondly, the contributors concur that a profound understanding of the post-truth condition can only be gained if ...
Postphenomenology and Media
Postphenomenology and Media: Essays on Human–Media–World Relations sheds light on how new, digital media are shaping humans and their world. It does so by using the postphenomenological framework to comprehensively study “human-media relations,” making use of conceptual instruments such as the transparency-opacity distinction, embodiment, multistability, variational analysis, and cultural hermeneutics. This collection outlines central issues of media and mediation theory that can be explored postphenomenologically and showcases research at the cutting edge of philosophy of media and technology. The contributors together enlarge the range of thinking about human-media-world relations in contemporary society, reflecting the interdisciplinary range of this school of thought, and explore, sometimes self-reflexively and sometimes critically, the provocative landscape of postphenomenology and media.
Phenomenology and the Philosophy of Technology
Our contemporary world is undeniably intertwined with technology, influencing every aspect of human life. This edited volume delves into why modern philosophical approaches to technology closely align with phenomenology and explores the implications of this relationship. Over the past two decades, scholars have emphasized users’ lived experiences and their interactions with technological practices, arguing that technologies gain meaning and shape within specific contexts, actively shaping those contexts in return. This book investigates the phenomenological roots of contemporary philosophy of technology, examining how phenomenology informs analyses of temporality, use, cognition, embodimen...
Lived-Body Experiences in Virtual Reality
What is it like to perceive a virtual object through the sensed presence of a virtual body? How do subject-object relations occur and can be actualized in virtual environments? Zeynep Akbal explores the impact of virtual reality (VR) technology on the subjective experience of the body and situates the results in context with existing theories in media sciences and the phenomenology of bodily perception. This study presents VR technology as a tool that can be used to more closely examine and study the fundamental intersections of the humanities and the natural sciences that explore the nature of perception.
Computer Games and the Social Imaginary
In this compelling book, Graeme Kirkpatrick argues that computer games have fundamentally altered the relation of self and society in the digital age. Tracing the origins of gaming to the revival of play in the 1960s counter culture, Computer Games and the Social Imaginary describes how the energies of that movement transformed computer technology from something ugly and machine-like into a world of colour and ‘fun’. In the process, play with computers became computer gaming – a new cultural practice with its own values. From the late 1980s gaming became a resource for people to draw upon as they faced the challenges of life in a new, globalizing digital economy. Gamer identity furnishes a revivified capitalism with compliant and ‘streamlined’ workers, but at times gaming culture also challenges the corporations that control game production. Analysing topics such as the links between technology and power, the formation of gaming culture and the subjective impact of play with computer games, this insightful text will be of great interest to students and scholars of digital media, games studies and the information society.
Amor Technologiae
Fusing the fairly new traditions of philosophy of technology and media ecology in a systematic manner, this discussion interprets and rephrases the work of media theorist Marshall McLuhan in the context of a comprehensive philosophy of media. Seen from this perspective, it argues that media are not merely channels, forces, or things, as more traditional accounts would have it; they are partially elusive and inherently ambivalent entities to which humans need to meaningfully relate, through the existential project of engaging into, building, and savoring relationships with them.
How Scientific Instruments Speak
Science is highly dependent on technologies to observe scientific objects. For example, astronomers need telescopes to observe planetary movements, and cognitive neuroscience depends on brain imaging technologies to investigate human cognition. But how do such technologies shape scientific practice, and how do new scientific objects come into being when new technologies are used in science? In How Scientific Instruments Speak, Bas de Boer develops a philosophical account of how technologies shape the reality that scientists study, arguing that we should understand scientific instruments as mediating technologies. Rather than mute tools serving pre-existing human goals, scientific instruments...
The Necessity of Critique
The essays in this edited collection are inspired by Andrew Feenberg’s philosophy of technology. Feenberg is the leading critical theorist of technology working today, combining the critical traditions of Karl Marx, Martin Heidegger, Georg Lukáacs, and Herbert Marcuse with empirical methods from science & technology studies (STS) and media studies. Divided into three parts, these contributions from philosophers, media theorists, design theorists, and STS scholars, reflect the relevancy of Feenberg's philosophy for making sense of our technically mediated society. This collection appeals to students and researchers interested in the philosophy of technology, critical theory, smart cities, big data, AI, and algorithmic culture.
