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Independence Park
Independence Park, Tel Aviv, is the best-known meeting place for gay men in Israel, and the hope for independence is the dominant theme of this wide-ranging collection of personal narratives told in the voices of 12 gay men who represent a cross-section of contemporary Israeli society.
Choral Fantasies
Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus embodied the possibilities and limitations of a participatory, national identity. Starting with the many public festivals at which the chorus was a featured participant, Minor's account of the music written for these occasions breaks new ground not only by taking seriously these often-neglected works, but also by showing how the contested ideals of German nationhood suffused the music itself. In situating both music and festive culture within the milieu of German bourgeois liberals, this study uncovers new connections between music and politics during a century that sought to redefine both spheres.
Cultural Transfer of Music between Byzantium and the West?
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
The Aulos in Classical and Late Antiquity. Acculturation, Diffusion, and Syncretism in Socio-Musical Processes of the Mediterranean
The aulos, an extinct musical instrument consisting of a cylindrical-bore pipe with finger holes and a double reed for a mouthpiece, was a very popular wind instrument during antiquity (c.1000 BC-AD 600). Through a comprehensive analysis of written, archaeological, and iconographic sources, this book presents a holistic view of this musical instrument, its past, and its consequential history. This study is further substantiated by ethnographic data from Sardinia and Egypt, where the launeddas and the arghul were explored respectively. A new understanding of the history of the aulos is presented through the establishment of parallels between past and contemporary music-related practices.
The Monstrous New Art
The Monstrous New Art reveals the depth of medieval composers' engagement with monstrous and hybrid creatures and ideas.
Music and the Making of Medieval Venice
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
The Art of Ancient Music
From the very beginning, music has helped us create our world – everything from language, to technology, to philosophy and religion. The Art of Ancient Music discusses the important role music has played in shaping human development. While emphasizing shared human themes, the text has a special focus on the rise of Western music in the ancient Near East, the Bible, and the Classical worlds. A final chapter provides a discussion of the way music helped bridge the gap between the ancient world and the Middle Ages, especially in the guise of Church music.
Jewish Music and Modernity
Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
Blood Theology
A recovery and rediscovery of the surprising strangeness of blood in theological (especially Christian) and civic discourse.
Opera and Sovereignty
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates ...
