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'The queen of crime . . . You-Jeong Jeong is shaking up the world of suspense' Glamour 'You-Jeong Jeong is a certified international phenomenon . . . one among the best at writing psychological suspense' Los Angeles Times A young girl is found dead in Seryong Lake, a reservoir in a remote South Korean village. The police immediately begin their investigation. At the same time, three men - Yongje, the girl's father, and two security guards at the nearby dam, each of whom has something to hide about the night of her death - find themselves in an elaborate game of cat and mouse as they race to uncover what happened to her, without revealing their own closely guarded secrets. When a final showdo...
'For fans of Jo Nesbo and Patricia Highsmith' A. J. Finn, Sunday Times bestselling author of The Woman in the Window YOU WAKE UP COVERED IN BLOOD THERE'S A BODY DOWNSTAIRS YOUR MOTHER'S BODY YOU DIDN'T DO IT. DID YOU? HOW COULD YOU, YOU'VE ALWAYS BEEN THE GOOD SON THE INTERNATIONAL SENSATION FROM KOREA'S MILLION-COPY BESTSELLING AUTHOR YOU-JEONG JEONG. When Yu-jin wakes up covered in blood, and finds the body of his mother downstairs, he decides to hide the evidence and pursue the killer himself. Then young women start disappearing in his South Korean town. Who is he hunting? And why does the answer take him back to his brother and father who lost their lives many years ago. The Good Son is inspired by a true story.
How did she turn a side hustle into a game-changing business, and at the same time, achieve happiness and fulfillment in her life? For Charlotte, it all came down to one thing-jeong. One of the most important Korean cultural values, jeong is a feeling of loyalty and of strong emotional connection to people and places. It goes deeper than love and friendship and grows stronger with time. In South Korea, jeong is critical for success in every facet of daily life, from cultivating hobbies to developing careers and relationships. In The Little Book of Jeong, Charlotte shares how jeong changed her own trajectory in life, landing her a job opportunity in Seoul and giving her the fuel she and her husband Dave needed to launch a ground-breaking digital skin care platform and skin care line. A personal story that centers around the deep bond she built with Korea, Charlotte reveals how jeong can radically change our relationships with our loved ones, our work, and the world around us, and challenges us to cultivate jeong in our own lives.
'For fans of Jo Nesbo and Patricia Highsmith' A. J. Finn, Sunday Times bestselling author of The Woman in the Window YOU WAKE UP COVERED IN BLOOD THERE'S A BODY DOWNSTAIRS YOUR MOTHER'S BODY YOU DIDN'T DO IT. DID YOU? HOW COULD YOU, YOU'VE ALWAYS BEEN THE GOOD SON THE INTERNATIONAL SENSATION FROM KOREA'S MILLION-COPY BESTSELLING AUTHOR YOU-JEONG JEONG. When Yu-jin wakes up covered in blood, and finds the body of his mother downstairs, he decides to hide the evidence and pursue the killer himself. Then young women start disappearing in his South Korean town. Who is he hunting? And why does the answer take him back to his brother and father who lost their lives many years ago. The Good Son is inspired by a true story.
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My name is Grace, not "Kyle's little sister!" Having a good-looking, friendly, outgoing older brother sucks--especially when you're the total opposite, someone who likes staying home and playing video games. Your parents like him better (even if they deny it!), and everyone calls you "Kyle's little sister" while looking disappointed that you're not more like him. I was really hoping I'd get to go to a different middle school, but no such luck. At least I have my friends...until he finds a way to ruin that, too...! Argh! What do I have to do to get out of his shadow?!
Pop City examines the use of Korean television dramas and K-pop music to promote urban and rural places in South Korea. Building on the phenomenon of Korean pop culture, Youjeong Oh argues that pop culture–featured place selling mediates two separate domains: political decentralization and the globalization of Korean popular culture. By analyzing the process of culture-featured place marketing, Pop City shows that urban spaces are produced and sold just like TV dramas and pop idols by promoting spectacular images rather than substantial physical and cultural qualities. Oh demonstrates how the speculative, image-based, and consumer-exploitive nature of popular culture shapes the commodification of urban space and ultimately argues that pop culture–mediated place promotion entails the domination of urban space by capital in more sophisticated and fetishized ways.
In Beautiful and Useless, Kim Min Jeong exposes the often funny and contradictory rifts that appear in the language of everyday circumstance. She uses slang, puns, cultural referents, and 'naughty, unwomanly" language in order to challenge readers to expand their ideas of not only what a poem is, but also how women should speak. In this way Kim undermines patriarchal authority by displaying the absurd nature of gender expectations. But even larger than issues of gender, these poems reveal the illogical systems of power behind the apparent structures that govern the logic of everyday life. By making the source of these antagonisms and gender transgressions visible, they make them less powerful. This skillful translation from Soeun Seo and Jake Levine, brings the full playfulness and intelligence of Kim's lyricism to English-language readers.
Ho-Won Jeong explains and assesses major approaches to dealing with ethnic conflict, communal violence, inter-state war and social injustice. The book analyses not only the sources of violence and conflict, but also how to manage and prevent them. As peace is relevant to improvement in human well-being and the future survival of humanity, the volume encompasses a variety of themes, ranging from alternative security policies, methods of peaceful settlement, human rights, self-determination, environmental politics, global governance and non-violence. Reflecting on the current thinking and drawing lessons from the past, the book can be considered as the most authoritative introduction to the field since the end of the Cold War.
She never presumed she herself would live out her natural life, so she wouldn’t mind leaving this world through an untimely death. Hornclaw is a sixty-five-year-old female contract killer who is considering retirement. But while on an assassination job for the ‘disease control’ company she works for, Hornclaw makes an uncharacteristic error, causing a sequence of events that brings her past well and truly into the present. Threatened with sabotage by a young male upstart and battling new desires and urges when she least expects them, Hornclaw steels her resolve, demonstrating that no matter their age, the female of the species is always more deadly than the male.