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To Live
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.
The Past and the Punishments
To travel through these stories is to cross a landscape of stunning beauty and terrific cruelty, where expectations are subverted, where moral certainties are shattered, where gorgeously wrought surfaces beguile at the same time that acts of incredible brutality horrify. It is no wonder that Yu Hua’s stories caused a sensation when they first appeared in the 1980s. His work represents a sophisticated and often disturbing revolution in the Chinese literary tradition, reminiscent of the fiction of modernists like Kafka, Kawabata, Borges, and Robbe-Grillet, but drawing inspiration from several strains of traditional Chinese narrative as well. This is the first collection of short fiction by Yu Hua to appear in English. It takes us on a haunting and harrowing journey from classical China through the Cultural Revolution and into the new era of economic reform, exploding along the way our preconceived notions of what Chinese literature and culture are all about in the 1990s.
China in Ten Words
From one of China’s most acclaimed writers: a unique, intimate look at the Chinese experience over the last several decades. Framed by ten phrases common in the Chinese vernacular, China in Ten Words uses personal stories and astute analysis to reveal as never before the world’s most populous yet oft-misunderstood nation. In "Disparity," for example, Yu Hua illustrates the expanding gaps that separate citizens of the country. In "Copycat," he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in "Bamboozle," he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Witty, insightful, and courageous, this is a refreshingly candid vision of the "Chinese miracle" and all of its consequences.
Brothers
Set against the violence of the Cultural Revolution and its aftermath, 'Brothers' is a novel about boys becoming men, about family feuds and the ties that bind - that bind all of us, even those who refuse to be bound by mere convention or custom because they are bound for far greater glories.
The Past and the Punishments
To travel through these stories is to cross a landscape of stunning beauty and terrific cruelty, where expectations are subverted, where moral certainties are shattered, where gorgeously wrought surfaces beguile at the same time that acts of incredible brutality horrify. It is no wonder that Yu Hua’s stories caused a sensation when they first appeared in the 1980s. His work represents a sophisticated and often disturbing revolution in the Chinese literary tradition, reminiscent of the fiction of modernists like Kafka, Kawabata, Borges, and Robbe-Grillet, but drawing inspiration from several strains of traditional Chinese narrative as well. This is the first collection of short fiction by Yu Hua to appear in English. It takes us on a haunting and harrowing journey from classical China through the Cultural Revolution and into the new era of economic reform, exploding along the way our preconceived notions of what Chinese literature and culture are all about in the 1990s.
The Seventh Day
From the acclaimed author of Brothers and To Live: a major new novel that limns the joys and sorrows of life in contemporary China. Yang Fei was born on a moving train. Lost by his mother, adopted by a young switchman, raised with simplicity and love, he is utterly unprepared for the tempestuous changes that await him and his country. As a young man, he searches for a place to belong in a nation that is ceaselessly reinventing itself, but he remains on the edges of society. At age forty-one, he meets an accidental and unceremonious death. Lacking the money for a burial plot, he must roam the afterworld aimlessly, without rest. Over the course of seven days, he encounters the souls of the peo...
Chronicle of a Blood Merchant
From the acclaimed author of Brothers and China in Ten Words: here is Yu Hua’s unflinching portrait of life under Chairman Mao. A cart-pusher in a silk mill, Xu Sanguan augments his meager salary with regular visits to the local blood chief. His visits become lethally frequent as he struggles to provide for his wife and three sons at the height of the Cultural Revolution. Shattered to discover that his favorite son was actually born of a liaison between his wife and a neighbor, he suffers his greatest indignity, while his wife is publicly scorned as a prostitute. Although the poverty and betrayals of Mao’s regime have drained him, Xu Sanguan ultimately finds strength in the blood ties of his family. With rare emotional intensity, grippingly raw descriptions of place and time, and clear-eyed compassion, Yu Hua gives us a stunning tapestry of human life in the grave particulars of one man’s days.
Cries in the Drizzle
Yu Hua’s beautiful, heartbreaking novel Cries in the Drizzle follows a young Chinese boy throughout his childhood and adolescence during the reign of Chairman Mao. The middle son of three, Sun Guanglin is constantly neglected ignored by his parents and his younger and older brother. Sent away at age six to live with another family, he returns to his parents’ house six years later on the same night that their home burns to the ground, making him even more a black sheep. Yet Sun Guanglin’s status as an outcast, both at home and in his village, places him in a unique position to observe the changing nature of Chinese society, as social dynamics — and his very own family — are changed forever under Communist rule. With its moving, thoughtful prose, Cries in the Drizzle is a stunning addition to the wide-ranging work of one of China’s most distinguished contemporary writers.
Brothers
When Baldy Li's mother marries Song Gang's father, the two boys become brothers. Although they are inseparable as children, their ambitions and personalities are very different, and become more rather than less pronounced as they grow into adulthood. Song Gang is thoughtful and serious; Baldy Li, meanwhile, is obsessed by sex (even before he fully understands what the act involves) and an unquenchable desire to make something of himself -- for Baldy Li plans to become a man of the world . . . in all senses of the word. And although Baldy Li is a man who always (well, almost always) keeps his word, so too is his brother -- but even here, their differences are obvious, for while Song Gang prom...
Contemporary Chinese Fiction by Su Tong and Yu Hua
The book explores the coming-of-age fiction of two of the most critically acclaimed and frequently translated contemporary Chinese authors, Yu Hua and Su Tong; it is the first in-depth book-length treatise in English about the contemporary Chinese Bildungsroman. Although various individual contemporary Chinese novelists and individual works of Chinese fiction have previously been discussed under the rubric of the Bildungsroman, none of these efforts has approached the level of comprehensive and comparative analysis that this book brings to the genre and its social contexts in contemporary China. This book will pique the interests not only of scholars and students of Chinese and comparative literature, but also of historians and social scientists with an interest in the region.
