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わが日わが夢
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Terapias de cine
La medicina y el cine son parte de nuestro día a día. Acudimos a la consulta o a la sala en busca de algún tipo de alivio y de puertas a otros mundos. Y la consulta y la sala, la medicina y el cine, se miran de reojo. La medicina quiere al cine para mirar, explorar y estudiar, diagnosticar y operar; también como herramienta publicitaria y de propaganda, para construir su autoridad. Y el cine cuenta muy a menudo con la medicina porque trabaja con experiencias rutinarias de salud y enfermedad, sus miedos y sus osadías, sus servidumbres y sus rebeldías. La medicina y el cine caminan de la mano con la experiencia cotidiana de la muerte y de la vida. Y la medicina es cine porque es soñar, cuestionar y luchar, como lo es sufrir, morir y amar. Y es por esto mismo que también, en nuestro día a día, el cine es medicina.
Kagami
Passions and intrigues abound in this epic historical novel. Kagami follows three families in 19th Century Japan, the Yamamotos and the Okuras, traditionalists dedicated to the old feudal Samurai ways, and the commercial Fukudas, eager to seize trading opportunities opened up by the arrival of Commodore Perry's force in 1853. The Kagami, or sacred mirror, is said to reflect the secret self of anyone who looks into it; what will it reveal of Lady Masa, the gentle aristocrat; her son, Renzo, a student at one of the mysterious Seignorial schools, once Japan's only point of contact with the outside world; the swaggering Samurai, Kenichi, and his sharp witted friend, Fukuda; free-thinking Aiko, with her quick tongue, and Osen, the beguiling courtesan?
Villain
A young woman is brutally murdered on a remote mountain road. A young construction worker, Yuichi, is on the run - but is he guilty? This is the dark heart of Japan; a world of seedy sex hotels and decaying seaside towns; a world of loneliness, violence and desperation. As the police close in on Yuichi and his new lover, the stories of the victim, the murderer and their families are uncovered. But these men and women are never what they appear to be...
Don’t Give Into Fear
Hollywood's a bitch. She'll eat you alive. Jack Cunningham, OTOH, prefers you carefully butchered, thoroughly de-boned, lightly seasoned, pan-fried or grilled, medium well-done, thank you very much. People come to Tinseltown for many reasons—to act, write, make movies, make music. Some just come to die. Jack learns the hard way it takes talent, luck and perseverance. So he becomes an agent instead. A killer agent. And zeros in on one special client...actress Rayna Rourke. Why wouldn't she be interested? Jack's young and handsome, with a love of glitz and glamour she's willing to overlook for the sake of her career. He drags her up the food chain, literally, exploiting the flaws of LA's entitled locals, creating his own rich cuisine from a cookbook of old movies, self-help baloney, imagination and failed dreams. The secret ingredient? It's not love. If you run into Jack, you might just survive, as long as you... DON'T GIVE INTO FEAR...
Forbidden Colours
Written when Mishima was only twentysix, Forbidden Colors is a depiction of a male homosexual relationship, in which a rich older man buys the love of a young man who is stunningly handsome but who lacks the ability to love. As in Mann's Death in Venice, the older man's longing for the beauty of youth is associated with aestheticism and death.
Law, State, and Society in Early Imperial China (2 vols)
Law, State, and Society in Early Imperial China has been accorded Honorable Mention status in the 2017 Patrick D. Hanan Prize (China and Inner Asia Council (CIAC) of the Association for Asian Studies) for Translation competition. In Law, State, and Society in Early Imperial China, Anthony J. Barbieri-Low and Robin D.S. Yates offer the first detailed study and translation into English of two recently excavated, early Chinese legal texts. The Statutes and Ordinances of the Second Year consists of a selection from the long-lost laws of the early Han dynasty (206 BCE-220 CE). It includes items from twenty-seven statute collections and one ordinance. The Book of Submitted Doubtful Cases contains twenty-two legal case records, some of which have undergone literary embellishment. Taken together, the two texts contain a wealth of information about slavery, social class, ranking, the status of women and children, property, inheritance, currency, finance, labor mobilization, resource extraction, agriculture, market regulation, and administrative geography.
Läsefrukter : intryck av böcker och författare
Artur Lundkvist (1906-1991) var en av våra mest kringsynta introduktörer av utländska böcker och författare, med osvikligt spårsinne för det värdefulla och fruktbara i litteraturen var den än slog rot. Han förmedlade sina läsupplevelser med en oerhörd friskhet och konkretion, en återskapande kritik som gav både kärnan och smaksensationerna i de verk han informerade om. I denna bok från 1973 får läsaren dessutom ofta möta författarna personligen. Läsefrukter presenterar inte mindre än 46 författare från skilda håll, de flesta välbekanta, namn som är vanliga i debatten, även några aktuella klassiker. Boken är både njutbar att läsa och praktisk att slå upp i när man vill veta något om en författare och hans verk. Bland författarna som presenteras i boken märks bland andra Jonathan Swift, Gustave Flaubert, Günter Grass, Doris Lessing, William Golding, Nadine Gordimer, Joyce Carol Oates, Philip Roth och Jorge Luis Borges.
