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Centered
A rich, inclusive, contemporary, and global look at design diversity, past and present, through essays, interviews, and images curated by design educator and advocate Kaleena Sales. As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, Centered advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume feature important and underrepresented design work and projects, both histor...
Thinking with Type
The essential and bestselling guide to typography from beloved design educator Ellen Lupton—revised and expanded to include new and additional voices, examples, and principles, and a wider array of typefaces. "Thinking with Type is to typography what Stephen Hawking's A Brief History of Time is to physics."—I Love Typography The bestselling Thinking with Type in a revised and expanded third edition: This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles. Ellen Lupton provides clear and focused guidance on how lette...
Art Directors Annual: 90
Continuously published since 1920, the Art Directors Annual is the world's most widely distributed creative awards reference book and source of inspiration, honoring the year's best work in design and advertising around the globe. Every winning entry (including all Cube and Merit winners) is reproduced in full-color with complete credits. The 90th edition includes the NEW ADC Designism (which explores the responsibilities of creatives to drive social and political change through their work), ADC Hybrid, the 2011 ADC Hall of Fame Laureates and the ADC Black Cube for best in show.
Thinking through Graphic Design History
Graphic design has a paradoxical relationship to history. While it claims to promote originality and innovation - ideas that emphasize the new and unique - design practice is deeply embedded in previous ideals. Too often, design students encounter the past in brief visual impressions which seduce them to imitate form rather than engage with historical contexts. Even though it has claimed to be objective and even comprehensive, graphic design history has focused largely on individual careers and Eurocentric achievements. Yet the past swells with untapped potential. Graphic design history can serve the field of today and tomorrow, but its narratives require updates. History, like design, is al...
Ming Romantic
How does one begin creating a Chinese typeface? In Ming Romantic: Collected and Bound, design studio Synoptic Office explores this question through a selection of writings, interviews, and historical material collected during the creation of Ming Romantic, a didone-inspired, Chinese typeface. Precedence and tradition, powerful forces in the Chinese imagination, are addressed in the context of contemporary design practice. Visual form, meaning, and technology are considered in how they might be employed to advance the field of Chinese typography.
The AIGA Guide to Careers in Graphic and Communication Design
What graphic design is, what designers need to know, and who becomes a designer have all evolved as the computer went from being a tool to also becoming our primary medium for communication. How jobs are advertised and how prospective candidates communicate with prospective employers have changed as well, as has the culture and context for many workplaces, requiring new approaches for how to find your first (and last) position. Through clear prose, a broad survey of contexts where designers find themselves in the present day, and interviews with designers, The AIGA Guide to Careers in Graphic and Communication Design is an invaluable resource for finding your place in this quickly changing and growing field. The book includes interviews with over 40 designers at all levels working in-house and out-of-house in studios, consultancies, or alone, including: Nicholas Blechman, The New Yorker; Rob Giampietro, Google; Njoki Gitahi, IDEO; Hilary Greenbaum, Whitney Museum; Holly Gressley, Vox Media; Cemre Güngör, Facebook; Natasha Jen, Pentagram; Renda Morton, The New York Times; and Alisa Wolfson, Leo Burnett Worldwide.
這一年，我看的（平面）設計 2
這一年，我看見了（平面）設計的「什麽」？ POSTER。海報，被認為是平面設計中至上的學科：它的大尺寸和曝光於公共空間的特性，確保了其影響力更廣泛——此般形容，或許是大部分人對海報設計的印象。 尤其，通勤時刻最常打面照的平面設計就莫過於海報。但這些一般擁有時效性的設計，卻在社交平臺普及化以及藝術組織的收藏下，有了更永續的「後日談」：像知名度最廣的「華沙國際海報雙年展」就有賴 IG 來公佈年度得獎名單，而蘇黎世設計博物館更是在一年内推出了達三次的海報作品展。更不用説，早在 2015 年成...
Pensar com tipos 3a edição revisada e expandida
Guia essencial e best-seller sobre tipografia e seu uso na comunicação visual, Pensar com tipos ganha nova versão, revista e ampliada, com 32 páginas de novos conteúdos, para incluir vozes, exemplos e princípios novos e adicionais, além de uma gama mais ampla de fontes. Passando por todos os fundamentos da tipografia, o livro explora desde fontes e famílias de tipos até questões como kerning e rastreamento, grades e princípios de layout. Ellen Lupton fornece orientação clara e focada sobre como letras, palavras e parágrafos devem ser alinhados, espaçados, ordenados e modelados. Exemplos históricos e contemporâneos de design gráfico mostram como aprender as regras e como quebrá-las. Ensaios críticos, diagramas reveladores, exercícios úteis e dezenas de exemplos e ilustrações apontam como ser criativo em sistemas que informam e comunicam
Pensar con tipos
Profundamente revisada y ampliada, esta segunda edición de Pensar con tipos nos proporciona docenas de nuevas fuentes, ejemplos, ejercicios, ideas y consejos, además de una revisión y actualización exhaustiva de cada detalle. Con treinta y dos páginas nuevas respecto a la edición anterior, el nuevo contenido aporta, entre otras cosas, una amplia gama de familias tipográficas y un espacio para los trabajos de las diseñadoras, así como de otros colectivos históricamente silenciados. Convertido en un referente indiscutible, la obra se dirige a los lectores y escritores, diseñadores y editores, profesores y estudiantes cuyo trabajo esté relacionado con la impredecible vida de la pala...
