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Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within—and in constant interaction with—other cultural and social systems. His essays on Russian literary classics, like Pushkin’s Eugene Onegin and works by Dostoevsky and Gogol, as well as on the emerging art form of filmmaking, provide insight into the ways art and literature evolve and adapt new forms of expression. Although Tynianov was first a scholar of Russian literature, his ideas transcend the boundaries of any one genre or national tradition. Permanent Evolution gathers together for the first time Tynianov’s seminal articles on literary theory and film, including several articles never before translated into English.
The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy. One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing element...
Küchlya (1925), the first novel of the great Russian formalist Yury Tynyanov gives us a vividly written and moving recreation of the childhood, youth, beliefs and adventures of an eccentric and idealistic young poet and friend of Pushkin, tragically caught up in the Decembrist insurrection of 1825 against the Russian autocracy.
These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Tynyanov's novel on Pushkin's formative years, written in the 1930s and early 1940s, is an entertaining panorama of the human, social and political forces that shaped Russia's greatest writer, from everyday home life to the wider St Petersburg scene and affairs of state in the Napoleonic era.
'Full of lively stories ... leaves the reader with an awed respect for the translator's task' Economist Would Hiroshima have been bombed if Japanese contained a phrase meaning 'no comment'? Is it alright for missionaries to replace the Bible's 'white as snow' with 'white as fungus' in places where snow never falls? Who, or what, is Kuzma's mother, and why was Nikita Khrushchev so threateningly obsessed with her (or it)? The course of diplomacy rarely runs smooth; without an invisible army of translators and interpreters, it could hardly run at all. Join veteran translator Anna Aslanyan to explore hidden histories of cunning and ambition, heroism and incompetence. Meet the figures behind the notable events of history, from the Great Game to Brexit, and discover just how far a simple misunderstanding can go.
Küchlya (1925), the first novel of the great Russian formalist Yury Tynyanov gives us a vividly written and moving recreation of the childhood, youth, beliefs and adventures of an eccentric and idealistic young poet and friend of Pushkin, tragically caught up in the Decembrist insurrection of 1825 against the Russian autocracy.