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Capturing Culture
The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres are re-enacted and re-framed during filmmaking, and how far are traditional traits captured, changed, or enriched in video film are some issues the book negotiates on. The harmony between orature and technology, as generated by means of the transported film medium is expressed in the book. The new medium is integrated into the ongoing traditional and cultural surroundings, where native narrative traditions have been adopted into the global film medium, which is in alignment with contemporary medial culture. Yusuf Baba Gar is the lecturer for Hausa at the Department of African Studies, Humboldt University, Berlin.
Old Age in African Literary and Cultural Contexts
Through a wide range of indigenous, postcolonial, gender and racial lenses, African writers have provided perspectives on various aspects of old age in the context of African literatures and cultures. This book illustrates how African literary and linguistic representations, ranging from short stories, novels and film to drama and theatre, give expression to ideas about old age. The perspectives offered here provide essential knowledge in understanding the uses of dichotomous age-related categories, such as old-young, elderly male-elderly female, and foreign-indigenous, which generally result in prejudice. Using ageism as its central theme, the contributions draw attention to the ambiguity a...
Levant, Cradle of Abrahamic Religions
The volume is the result of a Lecture Series on The Levant, Cradle of Abrahamic Religions, which engaged scholars on topics related to the cultural and religious diversity of the historical Levant. Like a jigsaw, the studies contained within showcase interlock fragments of the historical encounters between faiths, religions and societies in a rich Levantine and Oriental space, in an attempt to render them more accessible to readers today by focusing both on broader religious phenomena as well as on the practical, liturgical and social interaction between traditions and mentalities, features representative of both faith and society at large.
Nigerian Film Culture and the Idea of the Nation
Collectively, the essays brought together in this book represent a discursive confluence on Nollywood as a local film culture with a global character, aspiration and reach. The governing concern of the book is that texts, including film texts, are animated by a particular sociology and anthropology which gives them concrete existence and meaning. The book argues that Nollywood, the Nigerian video film text, is deeply rooted in the sub-soil of its social and cultural milieux. Nollywood is therefore, engaged in the relentless negotiation and re-negotiation of the everyday lives of the people against the backdrop of their cultural traditions, social contradictions and the politics of their ethnic/national identity, longing and belonging. The essays weave an intricate and delicate argument about the critical role of Nollywood to the idea of nationhood and the logic of its narration with implications for language, politics and culture in Africa. The book is a valuable addition to the critical discourse on the important place of film and cinema studies in national engineering processes.
Quantification
This volume presents articles by formal linguists on quantification in (relatively) understudied languages. The ten contributions provide analysis of quantificational phenomena in languages from nine different families: Eskimo-Aleut, Algonquian, Na-Dene, Austronesian, Basque, Quechua, Otomanguean, Bantu, and Chadic. Approximately half of the papers present systematic overviews of quantificational phenomena in the respective languages; the remainder of the papers present theoretical analyses of specific quantificational constructions. The cross-linguistic focus of this volume enables standard theories of quantification to be challenged by languages other than those for which they were origina...
Emotions in Muslim Hausa Women's Fiction
This book examines the emotions expressed in Hausa women’s prose fiction in northern Nigeria, showing how Hausa Muslim women writers use fiction in their indigenous language to demonstrate and express their anger about the problems they face in a patriarchal society. Umma Aliyu Musa shows how Hausa women authors use literature as a subversive instrument to voice their anger and draw attention to their plight, and what they perceive to be unfair traditional authority in a male-dominated society. Their stories about women protagonists who rebel against existing traditional structures enable women readers to understand the anger experienced by other women who have gone through similar situati...
Annals of Borno
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Capturing Culture
The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres are re-enacted and re-framed during filmmaking, and how far are traditional traits captured, changed, or enriched in video film are some issues the book negotiates on. The harmony between orature and technology, as generated by means of the transported film medium is expressed in the book. The new medium is integrated into the ongoing traditional and cultural surroundings, where native narrative traditions have been adopted into the global film medium, which is in alignment with contemporary medial culture.
Meddah Behçet Mahir'in bütün hikâyeleri
Epic literature, Turkish; tales; history and criticism.
Aleviler
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