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Choreographing Asian America
A critical study of Asian American performance and creative process
The Routledge Dance Studies Reader
Represents the range and diversity of writings on dance from the mid to late 20th century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.
Dances that Describe Themselves
An inquiry into improvisation as practiced by Richard Bull and his contemporaries.
Kinesthetic City
Kinesthetic City uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities.
Uncivil Youth
In Uncivil Youth, Soo Ah Kwon explores youth of color activism as linked to the making of democratic citizen-subjects. Focusing attention on the relations of power that inform the social and political practices of youth of color, Kwon examines how after-school and community-based programs are often mobilized to prevent potentially "at-risk" youth from turning to "juvenile delinquency" and crime. These sorts of strategic interventions seek to mold young people to become self-empowered and responsible citizens. Theorizing this mode of youth governance as "affirmative governmentality," Kwon investigates the political conditions that both enable youth of color to achieve meaningful change and li...
Dance on Its Own Terms
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. Individual chapters serve as case studies that are further organized into three categories of significant dance activity: performance and reconstruction, pedagogy and choreographic process, and notational and other written forms that analyze and document dance. The breadth of the content reflects the richness and vibrancy of the dance field; each deeply informed examination serves as a window opening onto the larger world of dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications. Engaging and insightful, Dance on its Own Terms represents a major contribution to research on dance.
The Nail That Sticks Out
“Honest and insightful, a testament to Japanese Canadian resilience.” — KERRI SAKAMOTO, author of Floating City When the North American dream meets traditional Japanese conformity, two cultures collide. Does the past define who we are, who we become? In April 1942, Suzanne’s mother was an eight-month-old baby when her family was torn from their home in Victoria, British Columbia. Arriving at Vancouver’s Hastings Park, they bunked in horse stalls for months before being removed to an incarceration camp in the Slocan Valley. After the Second World War, forced resettlement scattered Japanese families across Canada, leading to high intermarriage rates and an erosion of ethnicity. Loss ...
Choreographing Copyright
Choreographing Copyright Provides a historical and cultural analysis of U.S.-based dance-makers' investment in intellectual property rights. In a series of case studies stretching from the late nineteenth century to the early twenty-first, the book reconstructs dancers' efforts to win copyright protection for choreography and teases out their raced and gendered politics.
Dancers as Diplomats
Clare Croft chronicles the role of dance and dancers in American cultural diplomacy, telling the story of how tours sponsored by the US State Department shaped and sometimes re-imagined ideas of America in unexpected, often sensational circumstances.
Choreographing the North
Choreographing the North examines 11 contemporary dance pieces that perform northern culture, landscape, folklore, and ideas of "North." The choreographers, from Canada, the United States, the United Kingdom, Belgium, Luxembourg, Australia, and Argentina, translate their real or imagined journeys to the North for stage and/or screen. This book examines the ways Indigenous subjects and subjectivities have been diminished and/or distorted and considers how that diminishment has fuelled misrepresentation both inside and outside the field of contemporary dance. Where Indigenous presence is represented in dances about the North, it is as discarnate storytellers or “everyman” pastoral figures ...
