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A New Philosophy of Opera
  • Language: en
  • Pages: 312

A New Philosophy of Opera

From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural phenomenon. "This book builds a compelling roadmap for the future of opera, and how it can truly be accessible for everyone." —Gustavo Dudamel Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the trad...

Europeras 1&2
  • Language: en
  • Pages: 92

Europeras 1&2

  • Type: Book
  • -
  • Published: 1988
  • -
  • Publisher: Unknown

None

Opera for Everyone
  • Language: en
  • Pages: 309

Opera for Everyone

Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry’s productions as part of an emerging wave of U.S. operas that integrate new media and interactive performance through means such as site-specificity and simulcast video, and then traces the company’s path from Crescent City (2012), the company’s first production, to Sweet Land (2020), the company’s final production before switching to a new production model. Steigerwald Ille argues that by moving opera outside o...

Contemporary Opera in Flux
  • Language: en
  • Pages: 348

Contemporary Opera in Flux

In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, ...

Aharon Appelfeld's Fiction
  • Language: en
  • Pages: 224

Aharon Appelfeld's Fiction

How can a fictional text adequately or meaningfully represent the events of the Holocaust? Drawing on philosopher Stanley Cavell's ideas about "acknowledgment" as a respectful attentiveness to the world, Emily Miller Budick develops a penetrating philosophical analysis of major works by internationally prominent Israeli writer Aharon Appelfeld. Through sensitive discussions of the novels Badenheim 1939, The Iron Tracks, The Age of Wonders, and Tzili, and the autobiographical work The Story of My Life, Budick reveals the compelling art with which Appelfeld renders the sights, sensations, and experiences of European Jewish life preceding, during, and after the Second World War. She argues that...

The Cambridge Companion to The Magic Flute
  • Language: en
  • Pages: 387

The Cambridge Companion to The Magic Flute

Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.

Layout Workbook: Revised and Updated
  • Language: en
  • Pages: 243

Layout Workbook: Revised and Updated

Layout Workbook is one of five volumes in Rockport's series of practical and inspirational workbooks that cover the fundamental areas of the graphic design business. In the original, 2005 edition, author Kristin Cullen tackled the often perplexing job of nailing down a layout that works. In the new edition, with a new cover and new look, Dennis Puhalla (author of Rockport's Design Elements: Form and Space) will refresh and update the text, case studies, and imagery. More than a collection of great examples of layout, this book is an invaluable resource for students, designers, and creative professionals who seek design understanding and inspiration. The book illuminates the broad category of...

New Dramaturgies of Contemporary Opera
  • Language: en
  • Pages: 189

New Dramaturgies of Contemporary Opera

New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today. The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field...

La ópera hoy. Conversaciones en Síntesis con Gerardo Kleinburg
  • Language: en
  • Pages: 403

La ópera hoy. Conversaciones en Síntesis con Gerardo Kleinburg

La ópera en la actualidad es el tema que se aborda en este libro conformado por las conversaciones que sostuvo Gerardo Kleinburg con diez grandes protagonistas del quehacer operístico internacional: intérpretes, creadores y directores artísticos que piensan y reflexionan sobre este género para saber cuáles son en la actualidad sus mayores retos y hacia dónde se dirige. Así, Francisco Araiza, Barbara Hannigan y Sara María Sun, cantantes de primer nivel; Peter Sellars y Marcelo Lombardero, directores de escena fundamentales; Enrique Arturo Diemecke, director concertador y artístico; Markus Hinterhäuser y Christopher Koelsch, programadores de orden internacional, al igual que una cre...