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"This volume is based on a round table on resumptive pronouns which was held at the UFR de Linguistique, Universite Paris-Diderot, on June 21 and 22, 2007."
This work is for comparative linguists and Celticists who are keen to study Breton but may be too daunted to undertake such a venture by the wide variety of orthographical conventions which exist within the language. It discusses points of orthographical contention so that their correlation to the spoken varieties of Breton can be judged by the reader.
This book offers the most exhaustive and comprehensive treatment available of the Verb Second property. It includes formal theoretical work alongside psycholinguistic and language acquisition studies, examines data from a range of languages, and shows that V2 phenomena are much more widely attested cross-linguistically than previously thought.
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This collection brings together the latest research into the syntax, semantics, phonology, phonetics and morphology of the Celtic languages. Based on presentations given at the Formal Approaches to Celtic Linguistics Conference in 2009, this book contains articles by leading Celtic linguists on Breton, Modern Irish, Old Irish, Scottish Gaelic, and Welsh, on a wide variety of topics ranging from the syntax and semantics of clefts to the articulatory phonology of fortis sonorants.
This is a new contribution to a theory of reiteration in natural languages, with a special focus on creoles. Reiteration is meant to denote any situation where the same form occurs (at least) twice within the boundaries of some linguistic domain. By including two case studies bearing on Hebrew and Breton alongside five chapters on creole languages (Surinam creole, Haitian, Mauritian, São Tomé and Pitchi), this volume brings counter-evidence to the claim that reiteration phenomena are particularly typical of creoles. And by exploring the syntax of reiteration alongside its morphology, the authors are led to challenge the 'iconic' theory of 'reduplication' proposed in several other studies of similar phenomena. This volume will be relevant for creole studies, but also for readers more generally interested in language universals and the architecture of grammars.
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When the luxury liner Ile de France sailed into New York harbor for the first time in 1927, she brought to America the first great, coordinated example of what the French then called L'Art Moderne. The revolutionary Art Deco interiors found on the Ile de France were unlike anything previously seen on the North Atlantic and set a standard in ocean liner décor for decades to come. Her glittering passenger lists of the 1920s and 1930s were the envy of other shipping lines: Marlene Dietrich, Gloria Swanson, John D. Rockefeller, Buster Keaton, Barbara Hutton, Maurice Chevalier, Will Rogers, Cary Grant, Marie Curie and Arturo Toscanini were but a few of the luminaries that graced its salons. The ...