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Madness and the Mad in Russian Culture
The problem of madness has preoccupied Russian thinkers since the beginning of Russia's troubled history and has been dealt with repeatedly in literature, art, film, and opera, as well as medical, political, and philosophical essays. Madness has been treated not only as a medical or psychological matter, but also as a metaphysical one, encompassing problems of suffering, imagination, history, sex, social and world order, evil, retribution, death, and the afterlife. Madness and the Mad in Russian Culture represents a joint effort by American, British, and Russian scholars - historians, literary scholars, sociologists, cultural theorists, and philosophers - to understand the rich history of madness in the political, literary, and cultural spheres of Russia. Editors Angela Brintlinger and Ilya Vinitsky have brought together essays that cover over 250 years and address a wide variety of ideas related to madness - from the involvement of state and social structures in questions of mental health, to the attitudes of major Russian authors and cultural figures towards insanity and how those attitudes both shape and are shaped by the history, culture, and politics of Russia.
She Could Be Chaplin!
Alice Howell (1886-1961) is slowly gaining recognition and regard as arguably the most important slapstick comedienne of the silent era. This new study, the first book-length appreciation, identifies her place in the comedy hierarchy alongside the best-known of silent comediennes, Mabel Normand. Like Normand, Howell learned her craft with Mack Sennett and Charlie Chaplin. Beginning her screen career in 1914, Howell quickly developed a distinctive style and eccentric attire and mannerisms, successfully hiding her good looks, and was soon identified as the "Female Charlie Chaplin." Howell became a star of comedy shorts in 1915 and continued her career through 1928 and the advent of sound in fi...
The (Un)Certain Future of Empathy in Posthumanism, Cyberculture and Science Fiction
This volume was first published by Inter-Disciplinary Press in 2015. This volume investigates the future of empathy as contemplated by posthumanism, cyberculture and science fiction. As humanity increasingly networks and communicates online, the reconfiguration of human communities through the removal and immediacy of the body challenges traditional notions of humanity and human capacity for empathy. The impact of cyberculture and posthumanism on humanity and its capacity for empathy is here assessed through research in literature, films, neuroscience, anthropology and philosophy. This volume addresses the centrality of the body to human interactions and assesses how intrinsic it is to the defining of the human. The exploration of posthuman narratives which display futuristic bodily modifications also engages with the anxieties and hopes for the future of human empathy. Research in dystopian narratives shows that these anxieties are also expressed without the tropes of bodily modifications and that ideological distancing creates the conditions necessary for a lack of empathy towards otherness.
Policing Literary Theory
The present age of omnipresent terrorism is also an era of ever-expanding policing. What is the meaning — and the consequences — of this situation for literature and literary criticism? Policing Literary Theory attempts to answer these questions presenting intriguing and critical analyses of the interplays between police/policing and literature/literary criticism in a variety of linguistic milieus and literary traditions: American, English, French, German, Japanese, Korean, Russian, and others. The volume explores the mechanisms of formulation of knowledge about literature, theory, or culture in general in the post-Foucauldian surveillance society. Topics include North Korean dictatorship, spy narratives, censorship in literature and scholarship, Russian and Soviet authoritarianism, Eastern European cultures during communism, and Kafka’s work. Contributors: Vladimir Biti, Reingard Nethersole, Călin-Andrei Mihăilescu, Sowon Park, Marko Juvan, Kyohei Norimatsu, Péter Hajdu, Norio Sakanaka, John Zilcosky, Yvonne Howell, and Takayuki Yokota-Murakami.
Ballad of an American
This graphic biography of Paul Robeson charts his career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through films, concerts, and recordings, he became a potent symbol representing the promise of a multicultural, multiracial American democracy; despite his stardom, he was denied access to many audiences.
Revolutionary Experiments
Krementsov examines a particular fascination with the dream of immortality and the place of science and fiction in its pursuit in Russia during roughly a decade that followed the country's political revolutions of 1917. It argues that contemporary scientific experiments aimed at the control over life, death, and disease inspired many Russian writers to conduct their own literary experiments with the ideas and techniques offered by experimental biology and medicine, which found expression in both popular-science writings and a new literary genre, science fiction.
The Palgrave Encyclopedia of American Horror Film Shorts
The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk...
Dorothy Lee
Dorothy Lee is best remembered for her screen appearances with the popular comedy team of Bert Wheeler and Robert Woolsey. She went from being a struggling vaudeville performer to the female vocalist in one of the most successful bands in the country to a star in the new-fangled "talking pictures" all within the span of a few short years. During the Great Depression, she lived a fairy-tale existence, rubbing shoulders with Hollywood luminaries and earning an income that most people could only dream of. She retired and balanced domestic life with charity work. And she saw, to her amazement, a revived interest in the movie career she had written off long ago. Based on years of conversations between the authors and Dorothy Lee, this book is an informative biography filled with revealing insights on navigating the studio system during Hollywood's Golden Age and the ephemeral nature of fame.
Imperial-Time-Order
Imperial-Time-Order is an engagingly written critical study on a persistent historical way of thinking in modern China. Defined as normalization of unification and moralization of time, Qian suggests, the imperial-time-order signifies a temporal structure of empire that has continued to shape the way modern China developed itself conceptually. Weaving together intellectual debates with literary and media representations of imperial history since the late Qing period, ranging from novels, stage plays, films, to television series, Qian traces the different temporalities of each period and takes “time” as the analytical node by which issues of empire, nation, family, morality, individual and collective subjectivity are constructed and contested.
