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Art Is Everything
In her funny, idiosyncratic, and propulsive new novel, Art Is Everything, Yxta Maya Murray offers us a portrait of a Chicana artist as a woman on the margins. L.A. native Amanda Ruiz is a successful performance artist who is madly in love with her girlfriend, a wealthy and pragmatic actuary named Xōchitl. Everything seems under control: Amanda’s grumpy father is living peacefully in Koreatown; Amanda is about to enjoy a residency at the Guggenheim Museum in New York and, once she gets her NEA, she’s going to film a groundbreaking autocritical documentary in Mexico. But then everything starts to fall apart when Xōchitl’s biological clock begins beeping, Amanda’s father dies, and she endures a sexual assault. What happens to an artist when her emotional support vanishes along with her feelings of safety and her finances? Written as a series of web posts, Instagram essays, Snapchat freakouts, rejected Yelp reviews, Facebook screeds, and SmugMug streams-of-consciousness that merge volcanic confession with eagle-eyed art criticism, Art Is Everything shows us the painful but joyous development of a mid-career artist whose world implodes just as she has a breakthrough.
Locas
A tale of East L.A. gang life revolves around two teenage girls coming of age in a brutal, male-dominated world
The Conquest
Sara Rosario Gonzáles is a restorer of rare books and manuscripts at the Getty Museum in Los Angeles. When Sara restores a sixteenth-century manuscript about an Aztec princess enslaved by Cortés and sent to Europe to entertain the pope and Emperor Charles V, she doesn't realize the power of the tale she's about to immerse herself into. The princess, we find, is determined to avenge the slaughter of her people, and Sara is determined to prove that the book, which caused scandal when first published, was written by the Aztec princess herself, and not the European monk reputed to have penned it. Entwined within Sara's fascination of the manuscript is Sara's own life: the frustration over her inability to commit to Karl, the man who has loved her since high school; the haunting wisdom of her departed mother; and the stability of a father who sees the world in a way Sara does not, both pragmatically and unyieldingly. The Conquest is a beautifully written novel that offers both hope that true love does exist and that history, in all its complexity, is what drives us all toward tomorrow.
The Queen Jade
There is a legend of the New World that has endured for centuries: the strange, tragic tale of a King, a Witch . . . and a blue gem of intoxicating beauty said to grant extraordinary power to whoever possesses it. Archaeologist Juana Sanchez, convinced that she's discovered the key to unlocking the mystery of the fabled Queen Jade, ventures into the Central American jungle alone—just ahead of the relentless pounding fury of Hurricane Mitch. When the terrible storm is over, Juana is gone, and an ancient, long-buried jade mine has been uncovered in the mountains of Guatemala, giving new hope to all obsessed seekers of the legendary stone. But it is a different obsession that plunges Juana's daughter—scholar and bookseller Lola Sanchez—into the remarkable adventure of a lifetime. For only by following the Queen Jade's perilous, cursed trail can Lola hope to find her vanished mother . . . if it isn't already too late.
The Good Girl's Guide to Getting Kidnapped
Kiki and Mish are best friends, but what Kiki doesn?t know is that Michelle Pena was born a gang princess. ?Princess P? grew up destined to inherit leadership of the Snakes: a future filled with crime and fear. Michelle, on the other hand, is a nationally ranked athlete and academic superstar. This is her new life, and she?s finally put her past?and her childhood love for Silver?to rest. Then Silver helps kidnap both girls, and Michelle has to figure out how to free them both?and reconnect with a future that might now be beyond her reach.
Latinx
This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, "Latinx" spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life. In "Latinx," Carribean Fragoza traces Laura Aguilar's influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today. "Collectively, their images cast a greater net for the multiple ways of seeing Latinx people," Tompkins Rivas notes of the issue's photographers, "creating a visual archive whose edges are yet to be defined."
Ming Smith: an Aperture Monograph
Ming Smith's poetic and experimental images are icons of twentieth-century African American life. One of the greatest artist-photographers working today, Smith moved to New York in the 1970s and began to make images charged with startling beauty and spiritual energy. This long-awaited monograph brings together four decades of Smith's work, celebrating her trademark lyricism, distinctively blurred silhouettes, dynamic street scenes, and deep devotion to theater, music, poetry, and dance--from the "Pittsburgh Cycle" plays of August Wilson to the Afrofuturism of Sun Ra. With never-before-seen images, and a range of illuminating essays and interviews, this tribute to Smith's singular vision promises to be an enduring contribution to the history of American photography. Copublished by Aperture and Documentary Arts
Indelible in the Hippocampus
This truly intersectional collection of essays, fiction, and poetry sound the voices of black, Latinx, Asian, queer, and trans writers and says "me too" 22 times. Whether reflecting on their teenage selves or their modern-day workplaces, each contributor approaches the subject with unforgettable authenticity and strength.
Decolonizing Diasporas
Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, ...
The Art of Tracey Emin
The career of Tracey Emin, one of the best-known contemporary British artists, has become a potent symbol of the relationship between art and celebrity in our time. When it was exhibited in London at the Tate in 1999, her now notorious installation "My Bed" was denounced by conservative critics as a national scandal, but this and her other work have continued to attract ever larger audiences. Whether storming drunkenly out of live television debates, talking tearfully about her abortions, or modeling evening gowns for Vivienne Westwood, Tracey Emin makes headlines. Yet if Emin is now universally recognized as a media phenomenon, her work has also begun to attract serious critical attention. ...
