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(God) After Auschwitz
The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection "Antitheodicy," the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim. This book is the first to bring postmodern philosophical and literary approaches into c...
The Shape of Revelation
The Shape of Revelation highlights the image of form-creation, sheer presence, lyric pathos, rhythmic repetition, open spatial dynamism, and erotic pulse unique in the work of Martin Buber, Franz Rosenzweig, and German Expressionism in order to explore the overlap between revelation and aesthetic shape from the perspective of Judaism.
(God) After Auschwitz
The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection "Antitheodicy," the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim. This book is the first to bring postmodern philosophical and literary approaches into c...
The Art of Being Jewish in Modern Times
The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, incl...
Building on the Ruins of the Temple
In the immediate centuries after the Romans' destruction of Jerusalem and its Temple in 70 CE, Jews and Christians offered contrasting religious explanations for the razing of the locus of God's presence on earth. Adam Gregerman analyzes the views found in three early Christian texts (Justin's Dialogue with Trypho, Origen's Contra Celsum, and Eusebius' Proof of the Gospel) and one rabbinic text (the Midrash on Lamentations), all of which emerged in the same place--the land of Israel--and around the same time--the first few centuries after 70. The author explores the ways they interpret the destruction in order to prove (in the case of Christians), or make it impossible to disprove (in the case of the Jews) that their community is the people of God. He demonstrates the apologetic and polemical functions of selected explanations, for claims to the covenant made by one community excluded those made by the other.
Amidst Mass Atrocity and the Rubble of Theology
It is hubris to claim answers to unanswerable questions. Such questions, however--as part of their burden and worth--must still be asked, investigated, and contemplated. How there can be a loving, all-powerful God and a world stymied by suffering and evil is one of the unanswerable questions we must all struggle to answer, even as our responses are closer to gasps, silences, and further questions. More importantly, how and whether one articulates a response will have deep, lasting repercussions for any belief in God and in our judgments upon one another. Throughout this wide-ranging, interdisciplinary work, Peter Admirand draws upon his extensive research and background in theology and testimonial literature, trauma and genocide studies, cultural studies, philosophy of religion, interreligious studies, and systematic theology. As David Burrell writes in the Foreword: ". . .[T]he work's intricate structure, organization, and development will lead us to appreciate that the best one can settle for is a fractured faith built on a fractured theodicy, expressed in a language explicitly fragmented, pluralist, and broken."
Strange and Gaudy Fruit
The history of Christianity includes many doctrines adopted (and actions taken) to meet immediate problems but which had unintended consequences; they are bad fruit (Matt 7:15–20). The oldest is antisemitism, which arose from the competition of the early church with early Judaism. It was built into the New Testament and was developed by the church fathers. Having learned to dehumanize, it was easy to apply the same techniques to other groups; the church became complicit with enslavement, misogyny, and other forms of oppression. One response to the bad fruit is to reject religion, in the manner of Christopher Hitchens. However, the dogmas are part of our culture even if in secular form. If ...
Exploring the Old Testament
Ernest C. Lucas provides an informed, illuminating and interactive introduction to the ancient background, the literary artistry, and the varied and timeless messages of the Psalms and Wisdom literature.
Making Memory
The twentieth century has been called a century of horror. Proof of that, designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources - from the Hebrew Bible to Commonwealth war graves, from Greek tragedy to post-Holocaust theology - Alana M. Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defiescategorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.
Suffering Religion
In a diverse and innovative selection of new essays by cutting-edge theologians and philosophers, Suffering Religion examines one of the most primitive but challenging questions to define human experience - why do we suffer? As a theme uniting very different religious and cultural traditions, the problem of suffering addresses issues of passivity, the vulnerability of embodiment, the generosity of love and the complexity of gendered desire. Interdisciplinary studies bring different kinds of interpretations to meet and enrich each other. Can the notion of goodness retain meaning in the face of real affliction, or is pain itself in conflict with meaning? Themes covered include: *philosophy's own failure to treat suffering seriously, with special reference to the Jewish tradition *Martin Buber's celebrated interpretations of scriptural suffering *suffering in Kristevan psychoanalysis, focusing on the Christian theology of the cross *the pain of childbirth in a home setting as a religiously significant choice *Gods primal suffering in the kabbalistic tradition *Incarnation as a gracious willingness to suffer.
