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Colin Fischer is 14 and has Asperger's. Although he struggles to understand human emotions, he's brilliant at logical deduction. Sherlock Holmes is his pin-up. When a gun fires into the ceiling of the school cafeteria, everyone blames Wayne, school bully and usual suspect. But Colin Fischer turns detective; only he spots a connection between the gun and some birthday cake. Only Colin can uncover the truth. A brilliantly entertaining read for anyone who loved The Curious Incident of the Dog in the Night-time.
In 1997, the superhero movie was all but dead. The last Superman flick had been released a decade earlier to disastrous reviews and ticket sales. The most recent Batman film was a franchise-killing bomb. And an oft-promised Spider-Man feature was grounded. Yet a mere five years later this once-derided genre would be well on its way to world domination at the box office and even critical respectability. How did this happen? And why, two decades later, does the phenomenon show no sign of abating? Here, for the first time, is an extensively researched soup-to-nuts history of the superhero movie, from the first bargain-basement black-and-white serials to today's multiverse blockbusters. Chronicling eight decades of stops and starts, controversies and creators, good guys and bad guys--onscreen and off--this entertaining account explains how and why our entertainment universe came to be overpowered by costumed crimefighters and their nefarious counterparts.
This collection analyzes twenty-first-century American television programs that employ temporal and narrative experimentation. These shows play with time, slowing it down to unfold narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time-play in contemporary programming, but also the implicati...
INSTANT NEW YORK TIMES BESTSELLER "A superb chronicle of how Marvel Studios conquered Hollywood…. This definitive account of the Hollywood juggernaut thrills." —Publishers Weekly, starred review The unauthorized, behind-the-scenes story of the stunning rise—and suddenly uncertain reign—of the most transformative cultural phenomenon of our time: the Marvel Cinematic Universe. Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundr...
Lighthearted, quirky, and upbeat, this book explores the portrayal of science and technology on both the big and little screen -- and how Hollywood is actually doing a better job of getting it right than ever before. Grounded in the real-word, and often cutting-edge, science and technology that inspires fictional science, the authors survey Hollywood depictions of topics such as quantum mechanics, parallel universes, and alien worlds. Including material from interviews with over two dozen writers, producers, and directors of acclaimed science-themed productions -- as well as scientists, science fiction authors, and science advisors -- Hollyweird Science examines screen science fiction from the sometimes-conflicting vantage points of storytellers, researchers, and viewers. Including a foreword by Eureka co-creator and executive producer Jaime Paglia, and an afterword by astronomer and science fiction author Michael Brotherton, Ph.D., this book is accessible to all readers from the layperson to the armchair expert to the professional scientist, and will delight all of them equally.
With diverse contributions from scholars in English literature, psychology, and film and television studies, this collection of essays contextualizes Fringe as a postmodern investigation into what makes us human and as an examination of how technology transforms our humanity. In compiling this collection, the editors sought material as multifaceted as the series itself, devoting sections to specific areas of interest explored by both the writers of Fringe and the writers of the essays: humanity, duality, genre and viewership.
Winston Smith, named for the protagonist of George,Orwell's 1984, uses old school cut and paste,methods to create his collages of old Americana,images juxtaposed into shocking pictures. Smith's,work is often seen in Playboy, the New Yorker and,on album covers for such diverse groups as Green,Day and George Carlin. Dinosaurs poke their head,into windows as 1950s suburban housewives take,fresh-baked MX missiles out of the oven.
This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anth...
Detective Fiction for Young Readers is an examination of contemporary mystery stories for children and young adults. This volume explores how the conventions, rules, and expectations of adult mystery fiction have filtered down, so to speak, especially in the past several decades, to writing for younger readers. The book is organized into three sections that explore the whodunit, the hardboiled, and the metaphysical styles of mystery fiction. Furthermore, this text analyzes how each style has been adapted for a younger audience, acknowledging and exploring representative novels most in keeping with that style. This volume is ideal for students, academics, and readers interested in children’s mystery fiction that adheres to formulas made popular after the golden age of classic detective fiction.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.