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Social problems in the art of Zainul Abedin, Bangladeshi painter.
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This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by t...
This book is the only comprehensive survey of Zainul Abedin's work to date. Zainul Abedin (1914-1976), reverently called the Shilpacharya or guru of art, is the architect of the modern art movement in Bangladesh. This groundbreaking book showcases Abedin's work over a period of forty years, with more than two hundred color and black-and-white plates illustrating his special relationship with his country. Retracing his personal vision through various artistic, social, and political perspectives, this book shows how Abedin forged the way for an entire generation of Bangladeshi contemporary artists.
The fourth edition of the Historical Dictionary of Bangladesh greatly expands on the previous edition through a chronology, an introductory essay, a bibliography, and over 700 cross-referenced dictionary entries on important people, places, events, and institutions, as well as significant political, economic, social, and cultural aspects.
The Bengal Famine and Cultural Production: Signifying Colonial Trauma analyses the various modes of representation used by Anglophone authors and artists in response to the Bengal Famine of 1943. Official imperial narratives blamed the famine on natural disaster, war, exploitation by merchants, and incompetent local officials rather than members of the imperial government and have remained dominant in the global public imaginary until recent years. The authors and artists referenced in this study appealed to elite Bengali, South Asian, and international audiences to resist imperial narratives that minimized or erased suffering and instead encouraged relief efforts, promoted nationalist movem...
This Book “The Lineage of the Prophet Hazrat Muhammad ﷺ” is all about what it is subtitled “The true history of Islam”. Our book describes the circumstances of Huzur’sﷺ inheritance (Virasat e Rasulﷺ), Maula Ali alaihissalam, and from the lineage of Huzur-e-Aqdasﷺ till Maula Ali alaihissalam and twelve Imam till Hazrat Imam Mehdi alaihissalam. Because our lineage begins from Hazrat Imam Naqi alaihissalam as they are our progenitors, we have given the descriptions of their sacrifices in the path of Islam. We have also described their circumstances. The purpose of writing this book is to let the people know the story of torture done on Huzur’sﷺ physical heirs and the neare...
Bends and Shades is a profile of a life journey. As the surrounding setting, societal values and practices underwent unexpected changes, that life would be seen in a new perspective with every bend. Unprecedented political developments in the India-Pakistan-Bangladesh subcontinent impacted that journey too as did the evolving social fabric of life in the context of different faiths, discrete practices, and divergent but often conducive community living. Some of these bends touch upon the specific characteristics of certain races and societies while other bends capture historical specifics pertaining to geo-political conflicts including the Taliban phenomena and current fight against terrorism. Another touches upon the enigma faced by many immigrants, particularly in raising children in foreign lands, and highlights the need for better integration with their adopted society. As each bend in a river is shaded with different fragrance, so too the bends in the long arc of life