You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"My mother went to visit our neighbor, Umm Bahaa, but refused to take me with her, on the pretext that women visit women and men visit men. So she left me alone, promising not to be gone more than a few minutes. I told my cat I was going to strangle her, but she paid no attention and continued grooming herself with her tongue." Thus we meet the five-year-old narrator of The Hedgehog, who introduces us to his world: his house (with the djinn girl who lives in his bedroom), his garden (where he wishes to be a tree), and his best friend the black stone wall. This tightly told novella confirms that Zakaria Tamer remains at the height of his powers. The short stories that follow were first published in the collection Tigers on the Tenth Day. Economical and controlled, they deal with man's inhumanity to man (and to woman) and showcase the author's typical sharply satirical style.
Set in the Syrian neighborhood of al-Qaweyq, Sour Grapes is a collection of fifty-nine wry, satirical short stories loosely connected by a cast of rotating characters living at society’s margins. Tamer captures their everyday lives, weaving the attendant cruelties and ironies of living under an oppressive regime with the residents’ irreverence and small acts of defiance. Inspired by the heroines of Arab mythology, the women of al-Qaweyq navigate the patriarchal community with brash confidence and dark humor while the younger generation of children inherit a bitter cynicism from their fathers. Evoking under-ripened and immature fruit, the collection’s title serves as a bittersweet metaphor for a world that possesses the seeds of change but is unprepared for the harvest. Considered a master of the short story, Zakaria Tamer is one of the Arab world’s most prominent and widely read writers. Columbu and Capallera’s fluid translation gives English readers access to Tamer’s original and provocative voice.
None
Collects twenty-four short stories by Arabic authors such as Bahaa Taher, Alifa Rifaat, and Edward El-Kharrat, which explore such themes as prostitution, adultery, and arranged marriage.
Deals with taboo subjects like religion and sexuality and expresses an urgently felt need for change. This book covers the topic of repression: of the individual by the institutions of state and religion and of individuals by each other, particularly women by men.
The book aims to explore the foresight of prominent Middle Eastern authors and artists who anticipated the Arab Spring, which resulted in demands for change in the repressive and corrupted regimes. Eventually, it led to cracking down on the protests with excessive force, which caused tremendous human suffering, destruction, and also escalation of extreme insurgency. The author analyzes major literary and artistic works from Egypt, Syria and Tunisia, and their political context. This monograph will be helpful to scholars and students in the growing field of Middle Eastern and North African Studies and everyone who is interested in the politics of MENA.
Under the Israeli occupation of the '70s and '80s, writers in Gaza had to go to considerable lengths to ever have a chance of seeing their work in print. Manuscripts were written out longhand, invariably under pseudonyms, and smuggled out of the Strip to Jerusalem, Cairo or Beirut, where they then had to be typed up. Consequently, fiction grew shorter, novels became novellas, and short stories flourished as the city's form of choice. Indeed, to Palestinians elsewhere, Gaza became known as 'the exporter of oranges and short stories'. This anthology brings together some of the pioneers of the Gazan short story from that era, as well as younger exponents of the form, with ten stories that offer glimpses of life in the Strip that go beyond the global media headlines; stories of anxiety, oppression, and violence, but also of resilience and hope, of what it means to be a Palestinian, and how that identity is continually being reforged; stories of ordinary characters struggling to live with dignity in what many have called 'the largest prison in the world'.
The first collection of Fonseca's short stories to appear in English, ranging across his oeuvre, exploring the sights and sounds of Rio de Janeiro. Fonseca's Rio is a city at war, where vast disparities, in wealth, social standing and prestige are untenable. Rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order and violence and deception are the essential tools of survival. From the tale of the businessman who rans over pedestrians to let off steam to a serial killer being pushed to kill more by his lover, this collection is a true gem.
Examines the underground and overlooked actors and activities of liberal activism and liberal counter-cultures in the modern Arab world.
None