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Urdu is the most widely spoken community language in the UK Urdu is the national language of Pakistan and is also spoken by many millions in India Urdu is an increasingly popular A level subject, more so than both Italian and Russian Makes the language as accessible as possible Introduces the Urdu script Provides insights into the culture of South Asia
Neil and Gauri have made it big, and are enjoying life with their doting daughter Neilakshi. Holidaying in Cuba, little do they know that the selfie they send back to their daughter in India will be their last, as they are attacked by mysterious men. They cannot be traced, and there are rumours of murder. The governments of both the nations jointly investigate and try to find them at war footing level. Their friends wonder why someone is hell bent on breaking the lovers apart, this time forever. Who it could be – Rachel, Neil's hostile lover? Or Arya, his college time girlfriend? Or is it something much bigger than they could have ever imagined. Read on to discover the life and times of Neil and Gauri, and the deepened mystery in this yet another romance thriller – All You Need is Love.
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Shortlisted for the Sunday Times Cricket Book of the Year 2023 Jazbaa - Definition: spirit, feeling, passion, desire, sentiment, emotion In 1996, Shaiza Khan led a Pakistan team on a tour of New Zealand and Australia. While the tour was a failure on the cricketing front, the singular act of eleven women wearing flannels and battling for victory in the faraway antipodes was a significant achievement. These women had – individually and collectively – worked to throw off the shackles of social and cultural decrees that had conspired to keep Pakistani women away from sport for years. Even more importantly, these players were harbingers of change who became heroic role models for women back h...
Two Pulitzer Prize–winning journalists take an unbridled look into one of the most sensitive post-9/11 national security investigations—a breathtaking race to stop a second devastating terrorist attack on American soil. In Enemies Within, Matt Apuzzo and Adam Goldman “reveal how New York really works” (James Risen, author of State of War) and lay bare the complex and often contradictory state of counterterrorism and intelligence in America through the pursuit of Najibullah Zazi, a terrorist bomber who trained under one of bin Laden’s most trusted deputies. Zazi and his co-conspirators represented America’s greatest fear: a terrorist cell operating inside America. This real-life s...
Punching Up in Stand-Up Comedy explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised. The title brings together essays and perspectives on stand-up and satire from different cultural and political contexts across the world which raise pertinent issues regarding its role in contemporary times, especially with the increased presence of OTT platforms and internet penetration that allows for easy access to this art form. It examines the theoretical understanding of the different aspects of the humour, aesthetics...
"The story you are about to read is the story of a light-bringer....Salman Ahmad inspires me to reach always for the greatest heights and never to fear....Know that his story is a part of our history." -- Melissa Etheridge, from the Introduction With 30 million record sales under his belt, and with fans including Bono and Al Gore, Pakistanborn Salman Ahmad is renowned for being the first rock & roll star to destroy the wall that divides the West and the Muslim world. Rock & Roll Jihad is the story of his incredible journey. Facing down angry mullahs and oppressive dictators who wanted all music to be banned from the Islamic Republic of Pakistan, Salman Ahmad rocketed to the top of the music ...
This book takes a journey into the new and exciting created by a the wave of Indian comedians today, described affectionately here as the New Indian Nuttahs, and looks at what these tell us about identity, “Indianness”, censorship, feminism, diaspora and millennial India. It provides a unique analysis into the growing phenomenon of internet comedy and into a dimension of Indian popular culture which has long been dominated by the traditional film and television industries. Through a mixture of close textual readings of online comedy videos and interviews with content creators and consumers in India, this book provides a fresh perspective on comedy studies in its approach to a global South context from a sociocultural perspective. As a protean form of new media, this has opened up new avenues of articulation, identification and disidentification and as such, this book makes a further contribution to South Asian, communication, media & cultural studies.