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Der "nemo tenetur"-Grundsatz als Grenze steuerlicher Informationshilfe in der Europäischen Union
B) Rechtslage in anderen Mitgliedstaaten der Europäischen Union
Das Recht auf Beschuldigung
Die Beschuldigtenstellung als Status, Rolle und Funktion ist bisher stiefmütterlich behandelt worden. Wie das Werk zeigt, ist die Beschuldigteneigenschaft indes nicht eine Rechtsposition unter vielen, sondern wirft vielmehr die „Systemfrage" auf, welche die Grundfesten des Strafverfahrens berührt und bedingt. Die Untersuchung bereitet den Boden für eine neue Debatte zu Grund und Grenzen der Beschuldigung im deutschen Strafverfahren.
Polish Film
When the Lumiere brothers introduced the motion picture in 1895, Poland was a divided and suffering nation--yet Polish artists found their way into the new world of cinema. Boleslaw Matuszewski created his first documentary films in 1896, and Poland's first movie house was established in 1908. Despite war and repression, Polish cinema continued to grow and to reach for artistic heights. The twentieth century closed with new challenges, but a new generation of Polish filmmakers stood ready to meet them. Here is a complete history of the Polish cinema through the end of the twentieth century, with special attention to political and economic contexts.
The Law of the Looking Glass
Polish cinema has produced some of Europe's finest directors, such as Krzysztof Kie´slowski, Roman Polanski, Andrzej Wajda, and Krzysztof Zanussi, but little is known about its origins at the turn of the twentieth century. In The Law of the Looking Glass, Sheila Skaff analyzes the early years of Polish cinema. She looks at local film production, practices of spectatorship, clashes over language choice in intertitles, and the controversies surrounding the first synchronized sound experiments before World War I. Skaff discusses the creation of a national film industry in the newly independent country of the interwar years; silent cinema; the transition from silent to sound film, including the passionate debates in the press over the transition; and the first Polish and Yiddish “talkies.” The Law of the Looking Glass places particular importance on conflicts in majority-minority relations in the region and the types of collaboration that led to important films such as Der dibuk.
