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Subtle yet rich descriptions of culture, society, and family life in Belize adorn Zee Edgell’s beautifully narrated story of a short time in the life of 14-year-old Beka Lamb. Through flashbacks, points on politics and independence are animated, since the political struggles for independence in Belize reflect Beka’s own developing maturity and need to assert herself. Two main features of this heartwarming story are Beka’s penchant for lying and her relationship with her older friend Troycie, whose troubling choices lead her down a self-destructive path. The pride of winning an essay contest at her convent school releases Beka’s grief over Troycie and empowers her to embrace the next phase of her life.
"Time and the River is about freedom and slavery, hope and betrayal. It tells the story of people who don't own their own land or time, or even their own bodies. Leah Lawson is the daughter of a slave owner and a slave woman in Belize (the former British Honduras). In dreaming of a better future Leah must make some difficult choices. Her life takes drastic turns, changing her from slave into mistress, and forcing her to take the lives of her family and best friend into her own hands."--Jacket.
The compelling story of a woman's fight to come to terms with the ghosts of her past and to determine her own future.
This novel, set among the mestizo Spanish communities of rural Belize, gives a sympathetic and moving portrait of peasant life.
31 women writers from throughout the Caribbean express the loss and the longing, the pride and passion of the Caribbean identity.
In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.
Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard.
Interweaving the interpretative methods of religious studies, literary criticism and cultural geography, the essays in this volume focus on issues associated with the representation of place and space in the writing and reading of the postcolonial. The collection charts the ways in which contemporary writers extend and deepen our awareness of the ambiguities of economic, social and political relations implicated in “sacred space” - the sense of spiritual significance associated with those concrete locations in which adherents of different religious traditions, past and present, maintain a ritual sense of the sanctity of life and its cycles. Part I, “Land, Religion and Literature after ...
Set in Belize, Beka Lamb is the record of a few months in the life of Beka and her family.
"Seven short stories vividly depicting different facets of Belize's reality. From the country's rural areas to New York City, we accompany Belizean women and men as they go through the joys and hardships of life. Zoila Ellis demonstrates a definite ability to perceive and reproduce situations and characters, heightening the emotional impact of everyday events and rendering them into fine literature"--Page 4 of cover