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Kadya Molodowsky
Kadya Molodowsky, the most prolific woman writer of Yiddish, wrote an autobiographical memoir that left many questions unanswered. Why does she say of her wedding day only that she wore new shoes and fell in the snow? Did she join those who saw communism as the answer to the Jewish problem? Why did she leave Israel after having spent only three years there? It took Zelda Kahan Newman's research at three archives, the YIVO archive in New York, the Municipal Jewish Library in Montreal, and the Machon Lavon archive in Ne'ot Afeka, Israel, to discover the answers to these questions. In this biography, Kahan Newman covers the arc of Molodowsky's life, a life that saw pogroms, World War I, an escape from Europe to the United States, and an attempt to revive Yiddish culture after World War II. Finally, as Kahan Newman notes, it was an ironic twist of fate "that Kadya's death was noted in the U.S., where she felt increasingly alien, and ignored in Israel, where she felt she belonged, if only in spirit."
A Rhetorical Conversation
Describes the role of traditional Jewish texts in the development of modern Yiddish literature, as well as the closely related development of modern Hebrew literature"--Provided by publisher
From Something to Nothing
Jewish mysticism approaches God as no-thing or nothing, reflecting Judaism’s traditional identification of God as incorporeal. Whereas technical philosophical language often employed to discuss Jewish mysticism has a tendency to ward off otherwise interested readers, this study sufficiently breaks down the technical language of Jewish mysticism in its various expressions to allow a beginner to benefit from what may otherwise be indescribable and only approached by consideration of what is not rather than what is. Integral to the title, From Something to Nothing, is the concept that God cannot be something, because that would be restricting, so God is simply no-thing. Ironically, the conven...
Possessed Voices
Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, a valuable tool for understanding historical theater, which preserve performances of modernist interwar Hebrew plays. Seldom used in scholarship, Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practice...
A Question of Tradition
In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of w...
The Prague School and Its Legacy
Many of the fundamental ideas of the classical Prague School have guided or inspired much of the interdisciplinary post World War II research in linguistics, literary theory, semiotics, folklore and the arts. The Prague School promoted a humanistic and functional Leitmotiv of language as an open, flexible, adaptable, and abstract system of systems used by human beings to communicate. This hommage to the Prague School presents papers in five areas of research:- Prague School phonology and its theoretical and methodological implications, The Prague School and functional discourse analysis, The Prague School and aspects of literary criticism, The sociological and ethnographical concerns of the Prague School, The Prague School's semiotic approach to the arts.
The No-State Solution
A provocative manifesto, arguing for a new understanding of the Jews’ peoplehood “A self-consciously radical statement that is both astute and joyous.”—Kirkus Reviews Today there are two seemingly mutually exclusive notions of what “the Jews” are: either a religion or a nation/ethnicity. The widespread conception is that the Jews were formerly either a religious community in exile or a nation based on Jewish ethnicity. The latter position is commonly known as Zionism, and all articulations of a political theory of Zionism are taken to be variations of that view. In this provocative book, based on his decades of study of the history of the Jews, Daniel Boyarin lays out the problematic aspects of this binary opposition and offers the outlines of a different—and very old—answer to the question of the identity of a diaspora nation. He aims to drive a wedge between the “nation” and the “state,” only very recently conjoined, and recover a robust sense of nationalism that does not involve sovereignty.
Becoming Frum
When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. Some take on as much as they can as quickly as they can, going beyond the norms of those raised in the community. Others maintain aspects of their pre-Orthodox selves, yielding unique combinations, like Matisyahu’s reggae music or Hebrew words and sing-song intonation used with American slang, as in “mamish (really) keepin’ it real.” Sarah Bunin Benor brings insight into the phenomenon of adopting a new identity based on ethnographic and sociolinguistic research among men and women in an American Orthodox community. Her analysis is applicable to other situations of adult language socialization, such as students learning medical jargon or Canadians moving to Australia. Becoming Frum offers a scholarly and accessible look at the linguistic and cultural process of “becoming.”
Identity and Ethos
The essays collected in this Festschrift have been written by colleagues, friends, students, and admirers of Sol Liptzin, to be presented to him on the occasion of his 85th birthday. The essays are concerned with topics within the domains of literary and cultural study pursued and enriched by Sol Liptzin himself: (I) Yiddish literature, (II) German-Jewish studies and German literature proper, (III) English-German literary relations, (IV) Jews and Jewish literature in America, (V) Biblical themes in world literature and Jewish cultural history. The partial, selected bibliography of his publications included in this volume indicates, in a complementary way, the scope and energy of his engaging and lively mind.
