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This book establishes play as a mode of humanistic inquiry with a profound effect on art, culture and society. Play is treated as a dynamic and relational modality where relationships of all kinds are forged and inquisitive interdisciplinary engagement is embraced. Play cultivates reflection, connection, and creativity, offering new epistemological directions for the humanities. With examples from a range of disciplines including poetry, history, science, religion and media, this book treats play as an object of inquiry, but also as a mode of inquiry. The chapters, each focusing on a specific cultural phenomenon, do not simply put culture on display, they put culture in play, providing a playful lens through which to see the world. The reader is encouraged to read the chapters in this book out of order, allowing constructive collision between ideas, moments in history, and theoretical perspectives. The act of reading this book, like the project of the humanities itself, should be emergent, generative, and playful.
Zenovia is devastated when she learned she may not be able to conceive in the future. Hence, before it happens and be alone all her life, she must have a baby ASAP. The biggest setback? She has zero love life, and she has never been with a man even at the age of twenty-five—pathetic and impossible it may sound—until she accidentally has an eye-to-eye contact with a super beddable man at The Black Church, Maksimillian. Will the billionaire accept her tempting hot deal to be her romp partner until she gets pregnant, with no strings attached afterwards?
A PARTY TURNS TO PERIL The Delunio Kingdom has called for a meeting with Natra and Soljest to strengthen their three-way alliance. Wein is still dealing with the fallout from his latest escapade, so his sister Falanya attends in his place. And it doesn’t take long for her to notice that something is amiss. This ceremony has become the site of multiple political plots concerning the East and West! Does Natra’s princess have what it takes to end the schemes before it’s too late?
Architecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the arch...
When sin stains your soul, he tattoos your skin. . . Tattoo artist Nathan Ink is more than he seems. An angel living in secret on earth, he forces his clients to face their flaws by tattooing images of their sins on their bodies, but this glimpse into the soul often results in his clients' deaths. Although Nathan avoids the other angels, when they ask him to keep an eye on Faye, a nephilim being stalked by another of her kind, he reluctantly agrees. The angels have kept Faye in the dark about her stalker, but to keep her close to Nathan, they've tasked her with investigating the high mortality rate of Nathan's clients. Despite her distaste for his methods, she finds herself fighting a growing attraction to Nathan, and discovering he's not a rogue after all forces her to question her own mission. When Faye learns her stalker is another nephilim who intends to use her to breed a new race of hellish beings, teaming up with Nathan may be the only way to prevent a genocide. Contains strong language and violence 26,300 Words
Zenovia A. Sochor here assesses one of the most important debates within the Bolshevik leadership during the early years of Soviet power-that between A. A. Bogdanov and V. I. Lenin. Once comrades-in-arms, Bogdanov and Lenin became political rivals prior to the October Revolution. Their disagreements over political and cultural issues led to a split in the Bolshevik Party, with Bogdanov spearheading the party's left-wing faction and attracting a following of notable intellectuals. Before Lenin died in 1924, however, he had succeeded in shaping Soviet society according to his own vision, and today Bolshevism is commonly identified with Leninism while Bogdanovism is little known. Sochor provides the first full exposition in English of Bogdanov's views, which, she asserts, must be understood to appreciate the choices available and the paths not taken during the formative years of the Soviet regime.
The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.