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Surviving Despair
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The methane moment – Cross-boundary significance of methanogens
Methane is a potent greenhouse gas, a relatively clean burning fossil fuel, but also a renewable biofuel when biologically produced from waste treatment plants. Most (~70%) of the global methane emission comes from methanogenic archaea, namely methanogens that produce methane from simple substrates such as H2/CO2, formate, acetate, methanol, and other methylated compounds. Methanogens are found across all corners of the earth, including but not limited to wetlands, animals and humans, rice fields, landfills, sewage, ocean, termites, and hydrothermal vents. Their extensive adaptations to such a wide range of habitats predict a cross-boundary significance of methanogens in many areas such as t...
Sing out!
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Endgame in the Balkans
Can Europe tame the Balkans? That's the question veteran journalist Elizabeth Pond addresses in this timely and absorbing book. Starting with the wars of the Yugoslav succession, Endgame in the Balkans guides readers through the region's tumultuous recent history and explores both how the lure of European Union (EU) membership has affected the Balkans and how Balkan developments have shaped the EU. Drawing on hundreds of interviews, as well as decades of experience as a foreign correspondent, Pond moves deftly across the region, from Bulgaria to Romania, Kosovo, Croatia, Bosnia, Macedonia, Albania, and Serbia and Montenegro. She examines the many hurdles standing between these countries and ...
A Treasury of Jewish Folksong
105 jødiske folkesange.
Jewish Stories One Generation Tells Another
Peninnah Schram, widely regarded as one of the great Jewish storytellers of our generation, has collected and retold sixty-four delightful Jewish folktales to create Jewish Stories One Generation Tells Another. Ms. Schram, who believes that stories form "the link between the generations," helps forge that link with this book, ensuring that these stories will continue to live and breathe in the modern world. The life force animating these tales is almost tangible. The printed words seem to vibrate, as if the author possessed the voices of various tellers and lent their lilting tones and ripe inflections to the printed page. Furthermore, the laughter, sobs, and delighted cries of countless lis...
Music in the Nineteenth Century
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Defining Russia Musically
The world-renowned musicologist Richard Taruskin devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted . . . with an air of alterity—sensed, ...
