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Biographical Dictionary of Chinese Women
A biographical dictionary devoted to Chinese women, this text is the result of years of research, translation and writing from contributors from around the world. This volume focuses on the 20th century and includes sportwomen, film stars, musicians, politicians, artists, educators and more.
Rewriting Early Chinese Texts
Explores the rewriting of early Chinese texts in the wake of new archaeological evidence.
Myth and the Making of History
Myth and the Making of History examines the relationship between myth and history in early China, a topic that has been explored by American paleographer and scholar of ancient China Sarah Allan throughout her career. Allan has worked at a crucial and sensitive intersection, where myth and history collide at the very heart of China's origin story. Her work has created an intellectual space in which the disciplines of philosophy, history, anthropology, archeology, philology, and literature have come together, helping to change the way scholars conceive of historical patterns in China's past. In Myth and the Making of History, eleven senior and emerging scholars, from both China and the West, respond to the intellectual challenge raised by Allan's theoretical model of analysis of mythologized and historical figures (and even dynasties) that have intrigued scholars for generations and play a central role in the Chinese historical imagination. The book will be of great interest to all scholars and students of China—of whatever level and discipline—and, indeed, those concerned with other early civilizations as well.
Before Confucius
Edward L. Shaughnessy examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry. By describing the original contexts in which these books were written and what they meant to their original authors and readers, this work sheds light on both the degree to which Chinese culture already was literate by 1000 BC, and also on how the later classical tradition eventually diverged from these origins.
Conquer and Govern
China’s Warring States era (ca. 5th–3rd century BCE) was the setting for an explosion of textual production, and one of the most sophisticated and enduring genres of writing from this period was the military text. Social and political changes were driven in large part by the increasing scope and scale of warfare, and some of the best minds of the day (including Sunzi, whose Art of War is still widely read) devoted their attention to the systematic analysis of all factors involved in waging war. Conquer and Govern makes available for the first time in any Western language a corpus of military texts from a long neglected Warring States compendium of historical, political, military, and rit...
Writing Early China
Archaeological discoveries over the past one hundred years have resulted in repeated calls to "rewrite ancient Chinese history." This is especially true of documents written on oracle bones, bronze vessels, and bamboo strips. In Writing Early China, Edward L. Shaughnessy surveys all of these types of documents and considers what they reveal about the creation and transmission of knowledge in ancient China. Opposed to the common view that most knowledge was transmitted orally in ancient China, Shaughnessy demonstrates that by no later than the tenth century BCE scribes were writing lengthy texts like portions of the Chinese classics, and that by the fourth century BCE the primary mode of textual transmission was by way of visual copying from one manuscript to another.
Autocracy and China's Rebel Founding Emperors
What kind of 'ruler' was Mao Zedong? Utilizing a rich mix of analysis and new translations, this book examines other imperial predecessors and the elements linking Mao and Ming Taizu, the fourteenth-century peasant rebel who founded the Ming dynasty, as well as critiques of Western and Chinese scholarship. The book then presents translations with commentary of PRC scholars on Taizu and Mao, showing the evolution in Chinese though toward both rulers from the Cultural Revolution to the Deng Xiaoping reform era.
Conquer and Govern
China’s Warring States era (ca. 5th–3rd century BCE) was the setting for an explosion of textual production, and one of the most sophisticated and enduring genres of writing from this period was the military text. Social and political changes were driven in large part by the increasing scope and scale of warfare, and some of the best minds of the day (including Sunzi, whose Art of War is still widely read) devoted their attention to the systematic analysis of all factors involved in waging war. Conquer and Govern makes available for the first time in any Western language a corpus of military texts from a long neglected Warring States compendium of historical, political, military, and rit...
Beacon Fire and Shooting Star
The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelude to the glories of the Tang. This book is devoted to contextualizing the literary culture of this era--not only the literary works themselves but also the physical process of literary production such as the copying and transmitting of texts; activities such as book collecting, anthologizing, cataloguing, and various forms of literary scholarship; and the intricate interaction of religion, particularly Buddhism, and literature. Its aim is to explore the impact of social and political structure on the literary world.
Harmoniousness: Essays in Chinese Musicology
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
