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Advances in Graphic Communication, Printing and Packaging
This book includes a selection of reviewed papers presented at the 9th China Academic Conference on Printing and Packaging, which was held in November 2018 in Shandong, China. The conference was jointly organized by the China Academy of Printing Technology and Qilu University of Technology (Shandong Academy of Sciences). With 8 keynote talks and over 200 presented papers on graphic communication and packaging technologies, the conference attracted more than 300 scientists.The proceedings cover the recent findings in color science and technology, image processing technology, digital media technology, mechanical engineering and numerical control, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book is of interest to university researchers, R&D engineers and graduate students in the field of graphic arts, packaging, color science, image science, material science, computer science, digital media, and network technology.
Classifying the Zhuangzi Chapters
The relationships, both historical and philosophical, among the Zhuangzi’s Inner, Outer, and Miscellaneous chapters are the subject of ancient and enduring controversy. Liu marshals linguistic, intertextual, intratextual, and historical evidence to establish an objectively demonstrable chronology and determine the philosophical affiliations among the various chapters. This major advance in Zhuangzi scholarship furnishes indispensable data for all students of the great Daoist text. In a lengthy afterword, Liu compares his conclusions with those of A. C. Graham and addresses the relationship between the Zhuangzi and the Laozi.
Innovative Technologies for Printing and Packaging
This book includes original, peer-reviewed research papers from the 13th China Academic Conference on Printing and Packaging (CACPP 2022), held in Jinan, China, on November 10-12, 2022. The proceedings cover the recent findings in color science and technology, image processing technology, digital media technology, mechanical and electronic engineering and numerical control, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book is of interest to university researchers, R&D engineers, and graduate students in the field of graphic arts, packaging, color science, image science, material science, computer science, digital media, network technology, and smart manufacturing technology.
Zhuangzi's Critique of the Confucians
Looks at the Daoist Zhuangzis critique of Confucianism. The Daoist Zhuangzi has often been read as a mystical philosopher. But there is another tradition, beginning with the Han dynasty historian Sima Qian, which sees him as a critic of the Confucians. Kim-chong Chong analyzes the Inner Chapters of the Zhuangzi, demonstrating how Zhuangzi criticized the pre-Qin Confucians through metaphorical inversion and parody. This is indicated by the subtitle, Blinded by the Human, which is an inversion of the Confucian philosopher Xunzis remark that Zhuangzi was blinded by heaven and did not know the human. Chong compares Zhuangzis Daoist thought to Confucianism, as exemplified by Confucius, Mencius, and Xunzi. By analyzing and comparing the different implications of concepts such as heaven, heart-mind, and transformation, Chong shows how Zhuangzi can be said to provide the resources for a more pluralistic and liberal philosophy than the Confucians.
Zhuangzi and Modern Chinese Literature
This is a powerful account of how the ruin and resurrection of Zhuangzi in modern China's literary history correspond to the rise and fall of modern Chinese individuality. By examining the twentieth century reinterpretation and appropriation of Zhuangzi, the author explores modern Chinese writers' complicated relationship with "tradition."
ZhuangZi
To those who are seeking and believing in living freely and leisurely according to true nature – the Tao; unity and equality of all things and perspectives; spontaneity and effortless action; philosophy of Tai Ji, coexistence of opposites and the dynamic equilibrium between contrasting elements; skepticism toward religious and metaphysical beliefs; cultural relativism and multiple realities; embracing change and impermanence; free from artificial constraints and finding authenticity; relativity of things and human perception; questioning of the distinction between reality and illusion; freedom from social conventions; individual freedom and autonomy; humor and paradox; diversity, equity an...
Dao Companion to the Philosophy of the Zhuangzi
This comprehensive collection brings out the rich and deep philosophical resources of the Zhuangzi. It covers textual, linguistic, hermeneutical, ethical, social/political and philosophical issues, with the latter including epistemological, metaphysical, phenomenological and cross-cultural (Chinese and Western) aspects. The volume starts out with the textual history of the Zhuangzi, and then examines how language is used in the text. It explores this unique characteristic of the Zhuangzi, in terms of its metaphorical forms, its use of humour in deriding and parodying the Confucians, and paradoxically making Confucius the spokesman for Zhuangzi’s own point of view. The volume discusses questions such as: Why does Zhuangzi use language in this way, and how does it work? Why does he not use straightforward propositional language? Why is language said to be inadequate to capture the “dao” and what is the nature of this dao? The volume puts Zhuangzi in the philosophical context of his times, and discusses how he relates to other philosophers such as Laozi, Xunzi, and the Logicians.
Zhuangzi: The Essential Writings with Selections from Traditional Commentaries
This volume is a translation of over two-thirds of the classic Daoist text Zhuangzi (Chuang Tzu), including the complete Inner Chapters and extensive selections from the Outer and Miscellaneous Chapters, plus judicious selections from 2000 years of traditional Chinese commentaries, which provide the reader access to the text as well as to its reception and interpretation. Brief biographies of the commentators, a bibliography, a glossary, and an index are also included.
Wandering at Ease in the Zhuangzi
Chinese philosophy specialists examine the Zhuangzi, a third century B.C.E. Daoist classic, in this collection of interpretive essays. The Zhuangzi is a celebration of human creativity—its language is lucid and opaque; its images are darkly brilliant; its ideas are seriously playful. Without question, it is one of the most challenging achievements of human literary culture. Thematically, the Zhuangzi offers diverse insights into how to develop an appropriate and productive attitude to one's life in this world. Resourced over the centuries by Chinese artists and intellectuals alike, this text has provoked a commentarial tradition that rivals any masterpiece of world literature. Wandering at Ease in the Zhuangzi continues the interpretive tradition as Western scholars shed light on selected passages from the difficult text, offering the needed mediation between available translations of the Zhuangzi and the reader's process of understanding. Taken as a whole, this anthology is a primer on how to read the Zhuangzi.
A Walk in the Night with Zhuangzi
At the heart of "All Things Flow into Form" (Fan wu liu xing), an ancient Chinese manuscript recently salvaged from the black market, is a concern with the process of self-cultivation, particularly the advancement through the incremental stages and the outcome that awaits one in the end: enlightenment, transparency, and self-possession. Critical to this discussion is a conception of a mind within a mind, the unity of which is obtained through the isolation of an innermost core free from extraneous distractions. Such a state is presented as an ideal for kingship, and the text, despite its possibly very ancient roots, is focused on the ruler's ethical training rather than his political maneuvers, his obligation to Heaven and the spirits rather than his dominance over his subjects. Probing deep into this text, we may observe heretofore unappreciated aspects of many of the transmitted literary sources, and in turn, come to more definite conclusions about the manuscript itself. To the extent that this analysis is successful, it illustrates an approach that can be tested against future efforts to read ancient Chinese texts in the light of newly unearthed documents.
