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A photographic collection of personal effects unearthed from the mass graves in the aftermath of the Bosnian war. Renowned Bosnian photojournalist Ziyah Gafic has dedicated himself to cataloguing the thousands of items left behind by the murdered victims of war. Familiar objects at first mask the inexcusable loss of their owners: a well-worn watch, a rosary, wallet photos. Each item is presented with the hope that someone might recognise the remnants of their disappeared loved ones.
This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace – peace or peace as a potentiality – in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future.
Now in its 6th edition, Fred Jandt's international bestseller continues to offer students an accessible and exciting introduction to the art of effectively communicating across group barriers. Packed with thought-provoking examples, photos, vignettes, quotes, cases, and stories that spark students' interest and challenge them to reassess existing viewpoints, An Introduction to Intercultural Communication remains an invaluable text and a leader in its field. New and continuing features include: • An environment-focused box in each chapter discusses how the environment relates to each topic • 'Focus on Theory' boxes ground practical material in communication and social theory • Expanded coverage of immigration • Global examples updated throughout • New and expanded photo essays • New companion website featuring test questions, student activities, sample syllabi, and PowerPoint presentations • Student site featuring web activities and resources, study quizzes, e-Flashcards, and SAGE journal articles • An accompanying reader, Intercultural Communication: A Global Reader, is also available and can be used alone or in conjunction with this text.
Scholars of film studies will appreciate this daring and inventive collection, and readers with a general interest in film studies will enjoy its accessible style.
This collection explores the creative responses of artists to the legacies of war, colonialism, genocide and oppression. Based on a major project of international collaboration supported by the European Science Foundation, it brings together professional art practices, art history and visual culture studies, social anthropology, literary studies, history, museology and cultural policy studies. Case studies are drawn from diverse contexts, including South Africa, Germany, Namibia, the United Kingdom, Nigeria, Indonesia, the Netherlands, Poland, Norway, the Israeli-Palestinian conflict and Australia. The results reveal a courageous and carefully examined global picture, with a variety of new approaches to confronting dominant historical narratives and shaping alternative interpretations.
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photograph...
Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this ‘active’ form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving...
Today, there are more than 1.1 billion Muslims in the world. Even in the wake of this enormous growth, many of the practices established by Muhammad remain intact today. This not only applies to how Muslims pray, but also to how they construct their mosques, what events they celebrate, and what music they listen to and play. By adhering to the teachings of the Quran, a book that has remained virtually unchanged for hundreds of years, Muslims observe a rich cultural tradition that bridges the past, present, and future worlds of the community of the faithful.
An essential strategy book for how to have transformative, sustainable, responsible travel experiences—starting at your own front door. Recognized Peacemaker and National Geographic Explorer Aziz Abu Sarah shows how, by crossing boundaries, we can heal our world from stereotypes, prejudice, and ignorance. Whether you're planning future travels or exploring the diverse cultures in your own community, Crossing Boundaries provides strategies for growth and getting out of your comfort zone. Moving between inspirational stories, humorous anecdotes, and helpful conflict resolution tips, Abu Sarah guides you through having personal, meaningful experiences with people from different backgrounds. H...