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Sometimes to find love, you need a little space. Bev Miller is shocked when she wins a seat on Galactic Enterprise’s inaugural space tourism flight, considering she never entered her name into the drawing. But thanks to her best friend, Bev finds herself at a spaceport, preparing for the adventure of a lifetime. Unfortunately, that includes Charles Michael. Handsome, single, and rich—he’s everything she’s cut herself off from. After her stint with homelessness, she has no desire to date someone who represents her old life, when she too had wealth. Charles Michael thought rising from rags to riches would solve all of his problems, but now that his parents’ bills are paid off, the mo...
He’s a real estate developer who has a job to do. She’s the one who is going to stop him. As the mayor’s assistant, Zoe Flores has had a front row seat to how quickly the small town of Amor has changed. So when she’s assigned to help real estate developer Stephen McAllister replace several local businesses with high-class stores, she plots to save Amor and drive Stephen out of town. When Stephen shows up in Amor, the only thing he wants to do is buy out the properties on his list, then get out—all before the local residents realize what he’s up to. He didn’t plan on the mayor assigning his beautiful, and feisty, assistant as his liaison. Now he’ll be lucky to get anything don...
Reprint of the original, first published in 1877.
Nuestra segunda vida en el mundo digital, la comida genéticamente modificada, las prótesis de nueva generación y las tecnologías reproductivas son aspectos ya familiares de la condición posthumana. Ya que se han borrado las fronteras entre aquello que es humano y aquello que no lo es, poniendo en evidencia la base no natural del ser humano actual. Desde el punto de vista de la Filosofía y la Teoría Política, urge actualizar las definiciones de identidad y los fenómenos sociales a raíz de este salto. Con un simple análisis se verá que después de haber constatado el fin del Humanismo, es preciso ver en esta transformación las malas intenciones de una colonización de la vida por parte de los mercados y su lógica del beneficio. Es preciso, pues, adecuar la teoría a los cambios en curso, sin añoranzas por una humanidad ahora perdida y cogiendo las oportunidades ofrecidas por las formas de Neohumanismo que nacen de los movimientos medio ambientales y de los Estudios de Género y Postcoloniales.
Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. That Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed throve in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. With an astounding list of prizes and honors, he was a world-class auteur. Even when he was making a TV commercial, his surreal style and poetic sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on his life, esthetics, obsessions, struggles with madness, and, of course, his films. It addresses his earlier career in advertising, lifelong artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.
She’s a pilot who prefers the air. He’s a dog trainer who prefers the open road. Ruby Freedman is not a workaholic—no matter what anyone else says. As the only charter plane pilot in her small town, it isn’t like she has a choice but to fly at all hours of the day. So when her best friend’s vagabond brother, Clark, visits town for a dog competition, she doesn’t give him a second’s thought. One- Ruby doesn’t have time for men, let alone ones with Peter Pan syndrome, who prefer to be with dogs over people Two- Clark is her best friend’s brother. Enough said. But she hadn’t expected to need to help her friend out and play tour guide for Clark and his dogs. Or that she would ...
In this text, a full-length work on Rick Amor, the author writes of the lanscapes of Amor's childhood that haunt his later paintings; of Amor's close friendship with Joan and Daryl Lindsay; his long relationship with the labour movement; and his professional attachment to older artists.
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It’s better to have loved and lost, they said. They were wrong. Ruby Freedman hasn’t left the small town of Amor in four years--not since her husband died. The memory of his fateful accident was enough to cause her to sell her airplane, and never ride in a car again. Then Parker Loveland comes back to town. Now she has to add him to her list of things she intends to avoid. After years away, Parker Loveland is back in Amor to celebrate his parents’ thirtieth wedding anniversary. He has worked hard to escape the clutches of his hometown, but when he runs into Ruby, the only girl he cared about in high school, and the only one that ever stood him up on a date, he’s torn between the emba...