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Tamil Folk Music as Dalit Liberation Theology
Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo's music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals.
Making Congregational Music Local in Christian Communities Worldwide
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and â...
Congregational Music-Making and Community in a Mediated Age
Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her own perspective, facilitating cross-disciplinary connections while also showcasing a diversity of outlooks on the roles that music and media play in Christian experience. The authors break important new ground in understanding the ways that music, media and religious belief and praxis become ’lived theology’ in our media age, revealing the rich and diverse ways that people are living, experiencing and negotiating faith and community through music.
Christians and Christianity in India Today
This collection provides a panoramic view of the many facets of contemporary Indian Christianity. Examining this subject through historical, theological, and missional lenses, the essays here explore the main themes driving Indian Christian life and thought today. Among the issues analyzed are Indian Christianity's theological foundations, ecclesiology, worship practices, and public theology, as well as the interreligious and political environment of contemporary India.
Cree and Christian
Cree and Christian develops and applies new ethnographic approaches for understanding the reception and indigenization of Christianity, particularly through an examination of Pentecostalism in northern Alberta. Clinton N. Westman draws on historical records and his own long-term ethnographic research in Cree communities to explore questions of historical change, cultural continuity, linguistic practices in ritual, and the degree to which Indigenous identity is implicated by Pentecostal commitments. Such complexity calls for constant negotiation and improvisation, key elements of Pentecostal worship and speech strategies that have been compared to jazz modes. The historical sweep of Cree and ...
Disciplines of Modernity
Scrupulously based in anthropology and history – and drawing on social theory and critical thought – this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history – together with "archives" at large – as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions – articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Popular Christianity in India
Popular Christianity in India explores Indian Christianity as crafted and expressed through lived experience, providing an important balance to currently available, typically theological, studies. Drawing from many disciplines, this volume unearths the multifaceted terrain of festivals, rituals, saints, miracle workers, missionaries, and visionaries in Christian India, providing a wonderful glimpse of its richness and complexities. The contributors reveal the ways in which local Christian traditions deftly challenge assumed divisions and power imbalances between East and West, Hindu and Christian, foreign and indigenous, and elite and local expressions. Whether forging complicated religious, caste, and national identities, employing religious hybridity to promote well-being, or asserting autonomy within oppressive social and religious structures, local Christianity provides a crucial means for its participants to manage their earthly needs and desires.
Ethics and Christian Musicking
The relationship between musical activity and ethical significance occupies long traditions of thought and reflection both within Christianity and beyond. From concerns regarding music and the passions in early Christian writings through to moral panics regarding rock music in the 20th century, Christians have often gravitated to the view that music can become morally weighted, building a range of normative practices and prescriptions upon particular modes of ethical judgment. But how should we think about ethics and Christian musical activity in the contemporary world? As studies of Christian musicking have moved to incorporate the experiences, agencies, and relationships of congregations, ...
Resounding Transcendence
Resounding Transcendence is a pathbreaking set of ethnographic and historical essays by leading scholars exploring the ways sacred music effects cultural, political, and religious transitions in the contemporary world. With chapters covering Christian, Muslim, Jewish, and Buddhist practices in East and Southeast Asia, the Indian subcontinent, North America, the Caribbean, North Africa, and Europe, the volume establishes the theoretical and methodological foundations for music scholarship to engage in current debates about modern religion and secular epistemologies. It also transforms those debates through sophisticated, nuanced treatments of sound and music - ubiquitous elements of ritual an...
