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Opera Production II
  • Language: en
  • Pages: 370

Opera Production II

Opera Production II was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. For the world of opera this is an indispensable basic reference work which provides essential information about more than 350 operas. Producers, singers, directors, students, orchestras, and audiences will find useful, concise information in this handbook, a sequel to the author's earlier book Opera Production I: A Handbook, which contains similar information about more than 500 other operas. While the first volume concentrates on more familiar operas, thi...

The Hooded Eagle
  • Language: en
  • Pages: 328

The Hooded Eagle

None

The Kirkus Service
  • Language: en
  • Pages: 950

The Kirkus Service

  • Type: Book
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  • Published: 1948
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  • Publisher: Unknown

None

Arkansas/Arkansaw
  • Language: en
  • Pages: 258

Arkansas/Arkansaw

What do Scott Joplin, John Grisham, Gen. Douglas MacArthur, Maya Angelou, Brooks Robinson, Helen Gurley Brown, Johnny Cash, Alan Ladd, and Sonny Boy Williamson have in common? They’re all Arkansans. What do hillbillies, rednecks, slow trains, bare feet, moonshine, and double-wides have in common? For many in America these represent Arkansas more than any Arkansas success stories do. In 1931 H. L. Mencken described AR (not AK, folks) as the “apex of moronia.” While, in 1942 a Time magazine article said Arkansas had “developed a mass inferiority complex unique in American history.” Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture...

Operas in English
  • Language: en
  • Pages: 1015

Operas in English

Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...

Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v
  • Language: en
  • Pages: 662
Catalog of Copyright Entries
  • Language: en
  • Pages: 648

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

None

Catalog of Copyright Entries. New Series
  • Language: en
  • Pages: 2230

Catalog of Copyright Entries. New Series

Includes Part 1, Books, Group 1, Nos. 1-12 (1940-1943)

Encyclopedia of American Opera
  • Language: en
  • Pages: 487

Encyclopedia of American Opera

  • Type: Book
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  • Published: 2024-10-16
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  • Publisher: McFarland

This encyclopedia lists, describes and cross-references everything to do with American opera: works (both operas and operettas), composers, librettists, singers, and source authors, along with relevant recordings. The approximately 1,750 entries range from ballad operas and composers of the 18th century to modern minimalists and video opera artists. Each opera entry consists of plot, history, premiere and cast, followed by a chronological listing of recordings, movies and videos.

Modern German Drama
  • Language: en
  • Pages: 316

Modern German Drama

In this impressively wide-ranging study of all drama written in German in the period 1945-1977, Christopher Innes' aims are to identify the concerns and perceptions of dramatists working in a specific and unique social context and period and to analyse the major theatrical forms they developed or adapted to express their experience, to trace the writers' literary antecedents, their 'tradition' and to explore the critical issues raised by each stylistic innovation. Professor Innes has organized his discussion around the main forms of theatre - epic, documentary, absurdist and more traditional forms. Redefining these conceptual labels as he progresses, he analyses, in a critical and informed way, the work on the page and the stage of all the major playwrights. This study, which is complemented by photographs of key productions and accompanied by translations for all quotations, will be of particular interest to teachers and students of drama and German, as well as to a wider theatre-going public.